About

Dexter Dalwood was born in Bristol, England in 1960. He received a B.A. from Central St. Martins College of Art and Design, London in 1985, and an M.A. from the Royal College of Art, London in 1990. Dalwood’s first solo exhibition was held in 1992 at the Clove Building, London.

Dexter Dalwood's collages and paintings have been exhibited in numerous solo and group shows, building a strong reputation over the last two decades in the UK, Europe, and the United States. In 2010 Dexter Dalwood was shortlisted for the Turner Prize.

In 2013, Kunsthaus Centre d’art Centre PasquArt in Biel, Switzerland will host a solo survey exhibition “Dexter Dalwood.” Other solo exhibitions include “Dexter Dalwood,” a major survey of his work at Tate St Ives, which toured to FRAC Champagne-Ardenne, Reims, France and CAC Malaga, Spain; “Orientalism” at David Risley Gallery, Copenhagen (2012), “Dichter und Drogen” at Nolan Judin Gallery, Berlin (2011), "There is No Darkness But Ignorance," David Risley Gallery, Copenhagen (2009), as well as those at Gagosian Gallery: “Endless Night,” Beverly Hills (2009); "Recent History,” Britannia Street, London (2006–07); "Dexter Dalwood,” West 24th Street, New York (2004); “New Paintings,” Beverly Hills (2002); and “New Paintings,” Heddon Street, London (2000).

Dexter Dalwood's work is found in both the Tate and Saatchi collections, and has been integral to many highly innovative group exhibitions, including the Dublin Contemporary (2011); “Germany is Your America,” Broadway 1602, New York (2011); "Rank: Picturing the Social Order 1516–2009,” Leeds Art Gallery (2009); "Lights, Camera, Action: Artists' Films for the Cinema,” Whitney Museum of American Art, New York (2007); "Days Like These: Tate Triennial,” Tate Britain, London (2003); the Sydney Biennale (2002); "Remix: Contemporary Art and Pop,” Tate Liverpool (2002); "Twisted: Urban and Visionary Landscapes in Contemporary Painting,” Van Abbe Museum, Eindhoven (2000); "New Neurotic Realism Part II,” Saatchi Gallery, London (1999); and "Die Young Stay Pretty,” ICA, London (1999).

His work has been featured in a variety of significant books and catalogues. A selection of notable texts published on his work are: Dichter und Drogen (2011, Nolan Judin), Dexter Dalwood (2010, jrpringer/Tate); Dexter Dalwood: Recent History (2006, Gagosian Gallery); The Triumph of Painting (2005, Saatchi Gallery/Koenig Books); Other Times, Contemporary British Art (2004, British Council); This Much is Certain (2004, Royal College of Art,); Days Like These: Tate Triennial of British Art (2003, Tate Gallery); 100: The Work That Changed British Art (2003, Saatchi Gallery); Dexter Dalwood: New Paintings (2002, Gagosian Gallery); Twisted: Urban and Visionary Landscapes in Contemporary Painting (2000, Van Abbe Museum); Young British Art: The Saatchi Decade (1999, Booth Clibborn Editions); New Neurotic Realism (1998, Saatchi Gallery); and Die Young Stay Pretty (1998, ICA London).

Dexter Dalwood currently lives and works in London, England. The artist was shortlisted as one of the four nominees for the Turner Prize 2010.

Please visit the artist's website dexterdalwood.com

#DexterDalwood

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

In Conversation
Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

BRONX BODEGA Basel

BRONX BODEGA Basel

On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.

Donald Judd: Untitled: 1970

Donald Judd: Untitled: 1970

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.

Jordan Wolfson and Johanna Burton

In Conversation
Jordan Wolfson and Johanna Burton

In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art, Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).

Jane Fonda: On Art for a Safe and Healthy California

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Laguna~B

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.