Menu

Fairs & Collecting

Art Fair

Art Basel Hong Kong 2022

May 27–29, 2022, booth 1C15
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong 2022 with an ensemble of contemporary works by international artists.

Gagosian’s presentation will include Zeng Fanzhi’s expansive new painting, Untitled (2022). In Zeng’s canvases, allover linear networks generate dynamic rhythms and feature luminous chromatic shifts. Untitled represents a culmination of twenty years of investigating the expressive potentials of abstraction, in works ranging from landscapes to compositions with intertwined foliage, figures, and animals, to purely nonrepresentational explorations of painterly form.

Leneh (2020), from Georg Baselitz’s Springtime series (2020–21), features the motif of the inverted figure that the painter has explored over the past five decades and juxtaposes broad, flowing brushstrokes in bright, vernal colors with the direct imprint of a pair of nylon stockings. The title is an anagram of “Helen”—a reference to Helen Frankenthaler. Another painting that simultaneously represents and obscures the female figure is Ewa Juszkiewicz’s Lace Leaves (2022). Emulating the modes of historical European portraiture while subverting genre conventions, Juszkiewicz hides the faces of her subjects behind drapery or flowers. Here, the sitter’s face is replaced by anemone and anthurium (laceleaf) flowers and leaves.

Tetsuya Ishida’s haunting painting The Visitor (1999) pictures the head of a bearded man merged with a nautilus shell within the confined space of a door’s threshold. Realized in fine illustrative detail, its amalgamation of human and animal forms conveys the artist’s visionary imagination while reflecting the anxieties of his generation. Takashi Murakami’s Korpokkur in the Forest (2019) is titled after an ancient race of small people in the folklore of the Ainu of Japan’s northern islands. The painting’s profusion of colorful, smiling flowers is rendered in Murakami’s Superflat style, which is inspired by both manga and fine-art traditions.

The gallery’s presentation will also feature works by artists including Louise Bonnet, Edmund de Waal, Urs Fischer, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Rick Lowe, Albert Oehlen, Nam June Paik, Giuseppe Penone, Rudolf Polanszky, Sterling Ruby, Ed Ruscha, Jenny Saville, Jim Shaw, Rudolf Stingel, Spencer Sweeney, and Rachel Whiteread.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com.

To attend the fair, purchase tickets at artbasel.com.

Related News

Brice Marden, 2 (Orfeo ed Euridice), 2003 © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Art Fair

TEFAF New York 2024
Brice Marden and Cy Twombly

May 10–14, 2024, booth 350
Park Avenue Armory, New York
www.tefaf.com

Gagosian is pleased to announce its participation in TEFAF New York 2024, with a presentation of works by Brice Marden and Cy Twombly focused on the two artists’ exploratory approaches to the relationship between abstract form and mythological allusion.

Brice Marden, 2 (Orfeo ed Euridice), 2003 © 2024 Estate of Brice Marden/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Gagosian publications. Photo: Mauricio Zelaya

Book Fair

NY Art Book Fair 2024

April 25–28, 2024, booth B5
548 West 22nd Street, New York
printedmatterartbookfairs.org

Gagosian is celebrating the thirtieth issue of Gagosian Quarterly at Printed Matter’s NY Art Book Fair 2024. The Summer 2024 issue—on newsstands May 3—will debut, with Roy Lichtenstein on the magazine’s newly redesigned cover and a music-themed stand-alone supplement, among other editorial features. For the occasion, copies of the past four issues of the magazine will be free with any purchase, and all Gagosian publications on display will be available for $10 each, including exhibition catalogues, monographs, and artist’s books.

Gagosian publications. Photo: Mauricio Zelaya

Gagosian’s booth at Frieze New York 2024, featuring paintings by Sterling Ruby. Artwork © Sterling Ruby. Photo: Maris Hutchinson

Art Fair

Frieze New York 2024
Sterling Ruby

May 2–5, 2024, booth B06
The Shed, New York
frieze.com

Gagosian is presenting new works by Sterling Ruby at Frieze New York 2024, including four paintings from the TURBINE series (2021–) and a selection of collages from the DRFTRS series (2012–). Incorporating the same materials and namesake mechanism as Ruby’s WIDW paintings (2016–), but also suggesting hurricanes and explosions, fire and conflict, the TURBINE paintings evoke speed and self-destruction, alluding to the Futurists and Russian Constructivism. Ruby again employs formal relationships in response to contemporary problems, pairing them with diverse cultural and historical references. In the DRFTRS series of works on paper, Ruby layers and formally arranges microcosmic and macrocosmic imagery, collaging photographs of spores and plants, particles and stars onto surfaces washed with paint.

Gagosian’s booth at Frieze New York 2024, featuring paintings by Sterling Ruby. Artwork © Sterling Ruby. Photo: Maris Hutchinson

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

Oscar Murillo's painting "(untitled) scarred spirits" from 2023

Oscar Murillo: Marks and Whispers

Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Portrait of Lauren Halsey inside her studio

Lauren Halsey: Full and Complete Freedom

Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.

black and white portrait of Candy Darling

Candy Darling

Published in March, Cynthia Carr’s latest biography recounts the life and work of the Warhol superstar and transgender trailblazer Candy Darling. Combining scholarship, compassion, and a rich understanding of the world Darling inhabited, Carr’s follow-up to her biography of the artist David Wojnarowicz elucidates the incredible struggles that Darling faced in the course of her determined journey toward a more glamorous, more honest, and more tender world. Here, Carr tells Josh Zajdman about the origins of the book, her process, and what she hopes readers glean from the story.