Video
Jay DeFeo’s
The Rose
Discussing Jay DeFeo’s monumental painting The Rose (1958–66), now in the collection of the Whitney Museum of American Art, New York, are Dana Miller, curator of the Whitney’s permanent collection, David A. Ross, former director, and Lisa Phillips, former curator, with Leah Levy, director of the Jay DeFeo Trust (now the Jay DeFeo Foundation). They describe the significance of this pivotal work and detail the Whitney’s efforts to conserve it.
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In Conversation
Jay DeFeo’s Generation
Suzanne Hudson, Dana Miller, and Clifford Ross
Tuesday, November 17, 2020, 2pm EST
Join Gagosian for a conversation on Jay DeFeo with Los Angeles–based art historian and critic Suzanne Hudson, Seattle-based art historian and independent curator Dana Miller, and New York–based artist Clifford Ross. The trio will discuss the unique place DeFeo occupies in art history, shaped by a diverse body of work that defies categorization, a practice situated outside of the American art centers of New York and Los Angeles, and relationships with other artists of her generation. To join, register at zoom.us.
Jay DeFeo, Lotus Eater No. 1, 1974 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York. Photo: Robert Divers Herrick
Panel Discussion
Catching Ideas in Process
Jay DeFeo’s Photography
Wednesday, November 18, 2020, 8–9pm EST
The medium of photography enabled Jay DeFeo to further explore the themes and forms she continually returned to in her diverse practice, and to capture her own process, resulting in images that blur the line between documentation and art. Organized by the CCA Wattis Institute for Contemporary Arts in San Francisco, this panel discussion brings together Corey Keller, curator of photography at the San Francisco Museum of Modern Art, in conversation with artists Paul Mpagi Sepuya and Rayyane Tabet to discuss this lesser-known body of DeFeo’s oeuvre and the ways in which her highly experimental practice continues to resonate with photographers working today. The conversation will be moderated by Emily Markert, a curatorial fellow at the Wattis Institute. To register for the event, visit eventbrite.com.
Jay DeFeo, Untitled, 1973 © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York
Launch
8-bridges
Gagosian will be participating in 8-bridges, a new online initiative created to highlight artists and galleries in the San Francisco Bay Area. Launching in October 2020, 8-bridges will present monthly exhibitions by Bay Area galleries, with a particular focus on artists and conversations relevant to the region. The platform will feature eight new presentations each month, and each cycle will also spotlight a local institution, starting with the Museum of the African Diaspora in San Francisco. Gagosian is pleased to be a member of the 8-bridges founding committee. The gallery’s inaugural presentation will be devoted to the work of Jay DeFeo.
Jay DeFeo on Mount Tamalpais, Marin County, California, 1973. Photo: John Bogdanoff
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Jane Fonda: On Art for a Safe and Healthy California
Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.
Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.
Highlights: Salone del Mobile Milano 2024
This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.
Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.