New Representation
Anna Weyant
Gagosian is pleased to announce the gallery’s global representation of painter Anna Weyant. The artist will be the subject of a solo exhibition at the gallery in New York this fall.
Weyant’s precisely rendered paintings depict figures embroiled in tragicomic narratives, and still-life compositions in which everyday objects adopt an uncanny, portentous air. Far from presenting these individuals and items as generalized types, however, she employs a keen ironic wit to evoke their myriad idiosyncrasies and contradictions.
#AnnaWeyant
Photo: courtesy the artist
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Screening and Talk
Anna Weyant
Austin Weyant
Friday, March 22, 2024, 6:30pm
Metrograph, New York
metrograph.com
This event is sold out.
Join Anna Weyant and her brother, actor Austin Weyant, for a conversation and screening on the occasion of Anna Weyant Selects, a film program curated by the artist as part of an ongoing series copresented by Gagosian and Metrograph. The pair will introduce the selected films—Lost in Translation (2003), Gone Girl (2014), and Parasite (2019)—which explore power dynamics, complexities, and deceptions in relationships and wider society, as well as discuss the impact film has had on their respective practices. After the talk, Lost in Translation, directed by Sofia Coppola, will be screened.
Still from Lost in Translation (2003), directed by Sofia Coppola
Screening
Anna Weyant Selects
March 22–April 2, 2024
Metrograph, New York
metrograph.com
Anna Weyant has curated a selection of three films as part of an ongoing series copresented by Gagosian and Metrograph. Weyant comments, “The experience of watching each of these films is markedly different with respect to their individual style, storytelling, aesthetic, and dialogue. When I consider what it is about these stories that resonates with me, I am repeatedly drawn to their through lines of the power dynamics, complexities, and deceptions in relationships (and society); the uneasiness that comes from not fully knowing one’s surroundings (or the company one keeps); and our inherent desires for connection in an increasingly isolating world.”
Featured films include
Lost in Translation (2003, directed by Sofia Coppola)
Gone Girl (2014, directed by David Fincher)
Parasite (2019, directed by Bong Joon Ho)
Still from Gone Girl (2013), directed by David Fincher
Commission
Anna Weyant
La Forza del Destino
January 30–March 31, 2024
Metropolitan Opera, Lincoln Center, New York
www.metopera.org
As part of the Gallery Met Banners project, the Metropolitan Opera has commissioned Anna Weyant to create a painting to celebrate the staging of Giuseppe Verdi’s Italian opera La Forza del Destino. The work will be reproduced in the form of a sixty-foot banner installed on the façade of Lincoln Center in New York during the production. Weyant’s painting, which shares the same name as the opera, portrays Leonora, the tortured principal character, with closed eyes, bright red lips, and a single visible pearl earring. The words “Forza” and “Destino” are rendered in a vintage font with a scarlet hue and bloody “dripping” effect, evoking posters for classic Italian-made horror movies of the 1950s and ’60s.
Anna Weyant, La Forza del Destino, 2023, installation view, Metropolitan Opera, Lincoln Center, New York © Anna Weyant. Photo: Jonathan Tichler/Met Opera
Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
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Maurizio Cattelan: Sunday Painter
Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.
Frank Stella
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Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Touch of Evil
Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.
Jim Shaw: A–Z
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Oscar Murillo: Marks and Whispers
Ahead of two exhibitions—The Flooded Garden at Tate Modern, London, and Marks and Whispers at Gagosian, Rome—curator Alessandro Rabottini visited Oscar Murillo’s London studio to discuss the connections between them.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Lauren Halsey: Full and Complete Freedom
Essence Harden, curator at Los Angeles’s California African American Museum and cocurator of next year’s Made in LA exhibition at the Hammer Museum, visited Lauren Halsey in her LA studio as the artist prepared for an exhibition in Paris and the premiere of her installation at the 60th Biennale di Venezia this summer.