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In Conversation

Thomas Crow, Susan Rosenberg, Yayoi Shionoiri

Monday, March 27, 2023, 6:30pm
Gagosian, Park & 75, New York

Join Gagosian for a conversation inside the exhibition Chris Burden: Cross Communication at Gagosian, Park & 75, New York, between Yayoi Shionoiri, executive director of the Estate of Chris Burden, and art historians and professors Thomas Crow and Susan Rosenberg. The trio will discuss Burden’s performances and audio/video works of the 1970s and ’80s on view in the gallery; the Los Angeles art ecosystem of those years; and the challenges artists face in documenting and archiving their performances and experimental works. Exploring the construction of agency and intent, Burden’s early works confront the dominance of consumer culture and the increasing violence and complexity of American society.

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Chris Burden, Velvet Water, 1974 (still) © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Chris Burden, Velvet Water, 1974 (still) © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

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Drawing from Chris Burden’s archive of the unrealized artwork Burden Water Wheel (2013). Artwork © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Launch

Beyond Limits
Unrealized Artworks of Chris Burden

The Chris Burden Estate has launched Beyond Limits: Unrealized Artworks of Chris Burden, a multifaceted digital experience with an educational mission. Produced in partnership with art and tech innovator TRLab, Beyond Limits invites participants to explore Burden’s realized and unrealized works across several genres in a virtual 3D environment. Throughout the self-paced, blockchain-based journey, participants can track and share their progress and unlock free achievement badges in the form of digital tokens stored in their personal accounts. A selection of unrealized projects are available for purchase as digital artworks and proceeds from sales will support the Chris Burden Estate’s mission.

Drawing from Chris Burden’s archive of the unrealized artwork Burden Water Wheel (2013). Artwork © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Left: Vicky Richardson. Right: Yayoi Shionoiri

In Conversation

Impossible Architecture: Chris Burden’s Unrealized Projects
Vicky Richardson and Yayoi Shionoiri

Tuesday, April 4, 2023, 7pm
Burlington Arcade, London

Join Gagosian for a conversation between Vicky Richardson, head of architecture and Drue Heinz Curator at the Royal Academy of Arts, London, and Yayoi Shionoiri, executive director of the Estate of Chris Burden. The pair will discuss the recently published book Poetic Practical: The Unrealized Work of Chris Burden, which documents sixty-seven projects of varying scope and ambition that Burden was unable to complete during his lifetime. They will consider how the artist challenged not only principles of physics but also the lines between art and architecture, and evaluate Burden’s enduring legacy in his own works and those of others.

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Left: Vicky Richardson. Right: Yayoi Shionoiri

Chris Burden, 40 Foot Stepped Skyscraper, 2011, installation view, Frieze Los Angeles 2023, Santa Monica Airport, California © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Josh White

Art Fair

Frieze Projects: “Now Playing”
Chris Burden

February 17–19, 2023
Santa Monica Airport, California
frieze.com

Chris Burden’s 40 Foot Stepped Skyscraper (2011) will be included in Frieze Projects at Frieze Los Angeles. The sculpture will feature in Now Playing, a selection of performances and outdoor artworks organized by Art Production Fund and installed at Frieze Los Angeles’s new site at Santa Monica Airport. Now Playing brings together artworks that shine a light on the often overlooked elements of everyday life in Los Angeles and forms part of Frieze Projects, a program of site-specific works that is one of the fair’s annual highlights.

Chris Burden, 40 Foot Stepped Skyscraper, 2011, installation view, Frieze Los Angeles 2023, Santa Monica Airport, California © 2023 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Josh White

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

Film still from Nan Goldin's "Sisters Saints Sibyls" video art features a child wearing a mask

Nan Goldin: Sisters, Saints, Sibyls

Michael Cary explores the history behind, and power within, Nan Goldin’s video triptych Sisters, Saints, Sibyls. The work will be on view at the former Welsh chapel at 83 Charing Cross Road, London, as part of Gagosian Open, from May 30 to June 23, 2024.

Jane Fonda wearing a white suit and speaking at a podium at the Art for a Safe and Healthy California benefit launch

Jane Fonda: On Art for a Safe and Healthy California

Art for a Safe and Healthy California is a benefit exhibition and auction jointly presented by Jane Fonda, Gagosian, and Christie’s to support the Campaign for a Safe and Healthy California. Here, Fonda speaks with Gagosian Quarterly’s Gillian Jakab about bridging culture and activism, the stakes and goals of the campaign, and the artworks featured in the exhibition.

Rick Lowe's painting "Diplopia" from 2023, it is acrylic and paper collage on canvas

Notes to Selves, Trains of Thought

Dieter Roelstraete, curator at the Neubauer Collegium for Culture and Society at the University of Chicago and coeditor of a recent monograph on Rick Lowe, writes on Lowe’s journey from painting to community-based projects and back again in this essay from the publication. At the Museo di Palazzo Grimani, Venice, during the 60th Biennale di Venezia, Lowe will exhibit new paintings that develop his recent motifs to further explore the arch in architecture.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

Black and white portrait of the late artist Frank Stella

Frank Stella

In celebration of the life and work of Frank Stella, the Quarterly shares the artist’s last interview from our Summer 2024 issue. Stella spoke with art historian Megan Kincaid about friendship, formalism, and physicality.

Black and white portrait of Jacques Lacan wearing a pinstripe suit and smoking a cigarette

Lacan: The Exhibition

On the heels of finishing a new novel, Scaffolding, that revolves around a Lacanian analyst, Lauren Elkin traveled to Metz, France, to take in Lacan, the exhibition. When art meets psychoanalysis, at the Centre Pompidou satellite in that city. Here she reckons with the scale and intellectual rigor of the exhibition, teasing out the connections between the art on view and the philosophy of Jacques Lacan.

artwork by Jim Shaw of a person holding a cat and a chicken inside a cage, with evil sea creatures surrounding them

Jim Shaw: A–Z

Charlie Fox takes a whirlwind trip through the Jim Shaw universe, traveling along the letters of the alphabet.

portrait of Marcantonio Brandolini D’Adda's profile, the sun is illuminating him from behind

Laguna~B

An interview with Marcantonio Brandolini d’Adda, artist, designer, and CEO and art director of the Venice-based glassware company Laguna~B.

Highlights: Salone del Mobile Milano 2024

Highlights: Salone del Mobile Milano 2024

This year’s Salone del Mobile Milano brought together a range of installations, debuts, and collaborations from across the worlds of design, fashion, and architecture. We present a selection of these projects.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Willem De Kooning in his studio in East Hampton, New York. He is surrounded by bowls of different colored paints

Willem de Kooning and Italy

In tandem with the 60th Biennale di Venezia, the city’s Gallerie dell’Accademia is featuring the exhibition Willem de Kooning and Italy, an in-depth examination of the artist’s time in Italy and of the influence of that experience on his work. On September 20 of last year, the curators of the exhibition, the American Gary Garrels and the Italian Mario Codognato, engaged in a lengthy conversation about the exhibition for a press conference at the museum. An edited transcript of that conversation is published below for the first time.