Jennifer Guidi in her Los Angeles studio, 2020.

Jennifer Guidi

The artist speaks with Laura Fried about her most recent paintings, the symbol of the serpent, and her evolving relationship to color.

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Installation video of Urs Fischer's exhibition, Leo. A painting of an eye and a sculpture of three humans.

Urs Fischer: Leo

Journalist and curator Judith Benhamou-Huet leads a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris.

Michael Craig-Martin’s installation of flags depicting a red and blue sneaker on a pink background hanging at artgenève.

Michael Craig-Martin in Conversation at artgenève

Michael Craig-Martin speaks with Samuel Gross about his depictions of everyday objects and the building blocks of his visual vocabulary, as part of artgenève’s art talks 2020.

Kelly Reichardt.

The World According to Kelly Reichardt

Carlos Valladares writes on Kelly Reichardt’s films, exploring the director’s interest in subtle details and care for complex characters.

The exterior of Gagosian, Park & 75. An exhibition of John Mason sculptures.

John Mason: Geometric Force

An exhibition of ceramic sculptures by John Mason in early 2020 focused on the artist’s mature work. In this video tour, narrated by the exhibition’s curator, Rani Singh, Mason’s early career and aesthetic development receive a deeper look.

Rudolf Polanszky in front of his country studio outside Vienna, 2019.

Rudolf Polanszky

Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.

Diana Widmaier-Picasso standing in front of a bookcase

Picasso and Maya: An Interview with Diana Widmaier-Picasso

Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.

Vertical film strips from Man Ray's films.

The Films of Man Ray: Mysterious Encounters of Realities and Dreams

Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco. 

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

Still from the video Giuseppe Penone at Fort Mason showing the artist's 2004 sculpture Idee di pietra (Ideas of Stone) installed at Fort Mason in San Francisco.

Giuseppe Penone at Fort Mason

A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Events & Announcements

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Sarah Sze in her studio, New York, 2015

Artist Talk

Sarah Sze

Tuesday, March 17, 2020, 6:30–8pm
Amphithéâtre d’Honneur, École des Beaux-Arts de Paris

In the interest of public health, this event has been canceled.

Sarah Sze will speak about her practice at the École des Beaux-Arts de Paris on the occasion of her exhibition opening at Gagosian, Paris, on March 18. The talk will be introduced by art critic Anaïd Demir. The event is free and open to the public.

Sarah Sze in her studio, New York, 2015

Dan Colen: High Noon (New York: Gagosian, 2020)

Book Signing

Dan Colen
High Noon

Saturday, March 7, 2020, 3–4pm
Gagosian Shop, New York

Gagosian will host a book signing with Dan Colen to celebrate the publication of High Noon, an exhibition catalogue of his Desert Paintings (2015–19), exhibited at Gagosian, Beverly Hills, in 2018. These large-scale paintings are lush yet schematic interpretations of the arid landscapes from Chuck Jones’s animated shorts featuring Wile E. Coyote and the Road Runner. The volume also documents two new performances, At Least They Died Together and Carry On Cowboy (both 2018). To attend the free event, RSVP to

Download the full press release (PDF)

Dan Colen: High Noon (New York: Gagosian, 2020)

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Museum Exhibitions

Vera Lutter, LACMA from the Bridge, III: April 3–5, 2017, 2017 © Vera Lutter

Opening this Week

Vera Lutter
Museum in the Camera

March 29–August 9, 2020
Los Angeles County Museum of Art

Between February 2017 and January 2019, Vera Lutter documented the Los Angeles County Museum of Art using a camera obscura, creating photographs that examine the museum’s exterior architecture, gallery interiors, and permanent collection.

Vera Lutter, LACMA from the Bridge, III: April 3–5, 2017, 2017 © Vera Lutter

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Closing this Week

Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

Through March 29, 2020
Schlossmuseum Linz, Austria

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory Crewdson, Roy Lichtenstein, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Helen Frankenthaler, Fiesta, 1973 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Closing this Week

Frankenthaler on Paper

Through March 29, 2020
Arthur Ross Gallery, University of Pennsylvania, Philadelphia

Helen Frankenthaler played a seminal role in both Abstract Expressionism and Color Field painting. This exhibition presents ten unique paintings on paper and fourteen prints that date from the 1970s to the 1990s. These rarely seen paintings on paper reflect Frankenthaler’s painterly process and were considered by the artist to be equal to her large-scale paintings.

Helen Frankenthaler, Fiesta, 1973 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Adriana Varejão, Ruína de Charque - Nova Capela (Nova Capela Jerked-Beef Ruin), 2003 (detail) © Adriana Varejão

Closing this Week

Adriana Varejão in

Through March 29, 2020
Haus der Kunst, Munich

This show, whose title translates to Interiorities, explores the increasing externalization of the interior as we actively publish details of our private lives on social media and invite others to scrutinize, share, and rate them. The exhibition investigates how the artists in the show use the interior as a framework to find images for multifaceted identities. Work by Adriana Varejão is included.

Adriana Varejão, Ruína de Charque - Nova Capela (Nova Capela Jerked-Beef Ruin), 2003 (detail) © Adriana Varejão

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