February 26–April 18, 2020
976 Madison Avenue, New York
February 26–April 4, 2020
Park & 75, New York
February 6–March 21, 2020
The Mysteries of Château du Dé
January 14–February 29, 2020
Always On My Mind
January 16–March 14, 2020
Grosvenor Hill, London
January 23–March 14, 2020
Britannia Street, London
Live in Your Head
Richard Artschwager’s Cabinet of Curiosities
January 17–March 7, 2020
Davies Street, London
Blanc sur Blanc
January 16–March 7, 2020
Extended through March 21, 2020
LES NOIRS DU BLANC, LES BLANCS DU NOIR
October 13, 2019–March 21, 2020
January 29–April 3, 2020
January 18–March 21, 2020
November 26, 2019–February 29, 2020
February 13–March 15, 2020
Tarmak 22, Gstaad Saanen Airport, Switzerland
Gagosian Quarterly Spring 2020
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
John Mason: Geometric Force
An exhibition of ceramic sculptures by John Mason in early 2020 focused on the artist’s mature work. In this video tour, narrated by the exhibition’s curator, Rani Singh, Mason’s early career and aesthetic development receive a deeper look.
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
Picasso and Maya: An Interview with Diana Widmaier-Picasso
Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.
The Films of Man Ray: Mysterious Encounters of Realities and Dreams
Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Theaster Gates: Amalgam
Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.
Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to email@example.com. Space is limited.
Always On My Mind
Wednesday, February 26, 2020, 6:15pm
Gagosian, Grosvenor Hill, London
Join Gagosian for a tour of Alex Israel: Always On My Mind, an exhibition of new Self-Portraits by the artist, led by Gagosian director Millicent Wilner. In this ongoing series of photorealistic paintings, Israel frames quintessential Los Angeles scenery and snippets from his daily life inside crisp cut-out silhouettes of his own profile. The artist addresses the effortless visual gloss that twenty-first-century image culture and social media demand of their participants. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, Alex Israel: Always On My Mind, Gagosian, Grosvenor Hill, London, January 16–March 14, 2020. Artwork © Alex Israel. Photo: Lucy Dawkins
Thursday, February 20, 2020, 6pm
Gagosian, 980 Madison Avenue, New York
David Reed and curator Jeffrey Weiss will give a tour of the exhibition David Reed: New Paintings, on view at Gagosian, 980 Madison Avenue, New York, through February 22. The pair will discuss the outsize works in the show, some over a decade in the making, and how they respond to the galleries at 980 Madison Avenue, testing and maximizing their spatial boundaries. Indexically numbered rather than titled, the works are painted in either intense, otherworldly colors or primarily blacks and grays, as if contrasting the delirious possibilities of the full-color moving image with the austerity of grayscale. To attend the free event, RSVP to email@example.com. Space is limited.
Installation view, David Reed: New Paintings, Gagosian, 980 Madison Avenue, New York, January 10–February 22, 2020. Artwork © 2020 David Reed/Artists Rights Society (ARS), New York. Photo: Rob McKeever
Friday, February 21, 2020, 7–8pm
Menil Collection, Houston
Brice Marden will discuss his drawing practice with curator Kelly Montana on the occasion of the opening of the exhibition Think of Them as Spaces: Brice Marden’s Drawings at the Menil Collection. The pair will explore Marden’s manifold approach to draftsmanship in the six distinct series of drawings in the exhibition that span nearly the entirety of the artist’s ongoing career. The event is free and open to the public.
Brice Marden in his studio, Tivoli, New York, 2017. Photo: Mirabelle Marden
Opening this Week
February 29–May 10, 2020
Guggenheim Bilbao, Spain
This retrospective, curated by Germano Celant and Manuel Cirauqui, celebrates Richard Artschwager’s diverse artistic production. By subtly altering the familiar, Artschwager’s art challenges accepted notions of the real and encourages unconventional ways of seeing. This exhibition has traveled from the Museo di arte moderna e contemporanea di Trento e Rovereto in Italy.
Installation view, Richard Artschwager, Museo di arte moderna e contemporanea di Trento e Rovereto, Italy, October 12, 2019–February 2, 2020. Artwork © 2020 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Luca Meneghel
Opening this Week
February 29–May 10, 2020
Museum of Contemporary Art, Chicago
Nigerian-born British designer Duro Olowu curates a show that reimagines relationships between artists and objects across time, media, and geography. Moving away from traditional exhibition formats, Olowu combines photographs, paintings, sculptures, and films in dense and textural scenes that incorporate his own work. Work by Brice Marden and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Ms. Lykes, 2015 © Nathaniel Mary Quinn
Opening this Week
Riffs and Relations
African American Artists and the European Modernist Tradition
February 29–May 24, 2020
Phillips Collection, Washington, DC
This exhibition presents works by African American artists of the twentieth and twenty-first centuries alongside works by European artists from the early twentieth century. The show aims to examine cross-cultural conversations and presents the divergent works that reflect these complex dialogues. Work by Ellen Gallagher and Pablo Picasso is included.
Opening this Week
Taryn Simon in
February 29–May 9, 2020
Talbot Rice Gallery, University of Edinburgh, Scotland
Taking its name from that of Pinocchio (the word means “pine eye” in Italian), Pine’s Eye explores what it means to be human in times of ecological change. The exhibition offers alternative perspectives for how we understand ourselves in the face of environmental crisis. Work by Taryn Simon is included.
Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection. White House, Washington, D.C., United States, 1981, from the series Paperwork and the Will of Capital, 2015 © Taryn Simon