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"text": "<p>For the 2022 edition of Paris Photo, Gagosian is pleased to announce the first joint presentation of works by <a href=\"/artists/deana-lawson/\" title=\"\">Deana Lawson</a> and <a href=\"/artists/sally-mann/\" title=\"\">Sally Mann</a>. The two artists collaborated to choose photographs from one another’s oeuvre, including some works that have not been previously exhibited. The selection establishes a dialogue between their respective practices, using portrait, landscape, and interior imagery to examine themes of identity and representation.</p><p>Both artists primarily utilize large- or medium-format cameras and compose their images with deliberation, developing their own prints with careful attention to tone, color, and surface qualities. Highlighting the interaction between photographer and subject in portrait photography, Lawson’s <em>Andreen</em> (2022) and Mann’s <em>Ebeer at Home</em> (2001) show women who directly return the gaze of the camera. With relaxed, confident poses, the subjects’ attire and domestic settings speak to their individual and cultural differences.</p><p>Photographs by both artists depict landscapes in the American South that are enveloped by kudzu, an invasive vine so prevalent as to have become emblematic of the region. In <em>Georgia, Untitled (Kudzu)</em> (1996), Mann’s use of an antiquarian lens, orthochromatic film, and tea-toning produces an image in selective focus to emulate nineteenth-century photographic technology and lend the scene an aura of primordial mystery. Lawson’s <em>Between Montgomery and Pratville</em> (2022) is a color photograph of a hillside that has been transformed by the rampant plant growth, pictured as a sea of green without a visible horizon.</p><p>In an uncanny displacement of landscape, Lawson’s <em>Funereal Wallpaper</em> (2013) pictures scenic wall decoration with a maritime theme, its illusion challenged by the leaves of a synthetic plant on the perimeter of the frame that both complements the scene and reinforces its artificiality. Mann’s <em>Delta</em> series (2016–) likewise focuses on outmoded interiors that house artificial plants, botanical illustrations, and mirrors with obscured reflections. These images of liminal spaces establish complex and shifting interactions between the representation of nature and the built environment, while testing the directness of photographic depiction.</p><p>Download the press release in <a href=\"https://files.gagosian.com/gagosian-2022-paris-photo-english.pdf\" title=\"\">English (</a><span class=\"smallcaps\"><a href=\"https://files.gagosian.com/gagosian-2022-paris-photo-english.pdf\" title=\"\">PDF</a></span>) or <a href=\"https://files.gagosian.com/gagosian-2022-paris-photo-french.pdf\" title=\"\">French (</a><span class=\"smallcaps\"><a href=\"https://files.gagosian.com/gagosian-2022-paris-photo-french.pdf\" title=\"\">PDF</a></span>)</p>",
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"contents_intro": "<p>Gagosian presented an evening of poetry inside <em>to light, and then return—</em>, an exhibition of new works by Edmund de Waal and Sally Mann, inspired by each other’s practices, at Gagosian, New York. In this video—taking the artists’ shared love of poetry, fragments, and metamorphosis as a point of departure—poets Elisa Gonzalez and Terrance Hayes read a selection of their recent works that resonate with the themes of elegy and historical reckoning in the show. The evening was moderated by Jonathan Galassi, chairman and executive editor at Farrar, Straus & Giroux.</p>",
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"intro": "<p><em>Revolutions</em> is a major survey of 270 artworks by 126 artists from the Hirshhorn Museum and Sculpture Garden’s permanent collection. Celebrating the museum’s fiftieth anniversary, the exhibition aims to capture the shifting cultural landscapes of a century defined by new currents in science and philosophy and ever-increasing mechanization. Shown alongside these historic works are contributions from nineteen contemporary artists whose practices demonstrate how many revolutionary ideas from a hundred years ago remain critical today. Work by <a href=\"/artists/francis-bacon/\" title=\"\">Francis Bacon</a>, <a href=\"/artists/amoako-boafo/\" title=\"\">Amoako Boafo</a>, <a href=\"/artists/alexander-calder/\" title=\"\">Alexander Calder</a>, <a href=\"/artists/willem-de-kooning/\" title=\"\">Willem de Kooning</a>, <a href=\"/artists/helen-frankenthaler/\" title=\"\">Helen Frankenthaler</a><span>, </span><a href=\"/artists/alberto-giacometti/\" title=\"\"><span>Alberto Giacometti</span></a><span>, </span><a href=\"/artists/rick-lowe/\" title=\"\">Rick Lowe</a><span>, </span><a href=\"/artists/sally-mann/\" title=\"\">Sally Mann</a><span>,</span><span> </span><a href=\"/artists/man-ray/\" title=\"\">Man Ray</a>, <a href=\"/artists/henry-moore/\" title=\"\">Henry Moore</a><span>, </span><a href=\"/artists/pablo-picasso/\" title=\"\">Pablo Picasso</a><span>, </span><a href=\"/artists/nathaniel-mary-quinn/\" title=\"\">Nathaniel Mary Quinn</a><span>,</span><span> and </span><a href=\"/artists/cy-twombly/\" title=\"\">Cy Twombly</a><span> is included.</span></p>",
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"credit": "<p>Installation view, <em>Revolutions: Art from the Hirshhorn Collection, 1860–1960</em>, Hirshhorn Museum and Sculpture Garden, Washington, DC, March 22, 2024–January 3, 2027. Artwork, left to right: © Amoako Boafo, Robert Henri. Photo: Rick Coulby</p>",
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"thumbnail_caption": "Gagosian’s booth at Paris Photo 2022, featuring photographs by Deana Lawson and Sally Mann. Artwork © Deana Lawson and © Sally Mann",
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"info": "<p>November 10–13, 2022<br />Grand Palais Ephémère, Paris<br /><a href=\"https://www.parisphoto.com/\" title=\"\">www.parisphoto.com</a></p>",
"intro": "<p>For the 2022 edition of Paris Photo, Gagosian is pleased to announce a joint presentation of works by <a href=\"/artists/deana-lawson/\" title=\"\">Deana Lawson</a> and <a href=\"/artists/sally-mann/\" title=\"\">Sally Mann</a>. The two artists collaborated to choose photographs from one another’s oeuvre, including some that have never before been exhibited. The resulting selection establishes a dialogue between their respective practices, using portrait, landscape, and interior imagery to examine themes of identity and representation.</p>",
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"info": "<p>November 10–13, 2022<br />Grand Palais Ephémère, Paris<br /><a href=\"https://www.parisphoto.com/\" title=\"\">www.parisphoto.com</a></p>",
"intro": "<p>For the 2022 edition of Paris Photo, Gagosian is pleased to announce a joint presentation of works by <a href=\"/artists/deana-lawson/\" title=\"\">Deana Lawson</a> and <a href=\"/artists/sally-mann/\" title=\"\">Sally Mann</a>. The two artists collaborated to choose photographs from one another’s oeuvre, including some that have never before been exhibited. The resulting selection establishes a dialogue between their respective practices, using portrait, landscape, and interior imagery to examine themes of identity and representation.</p>",
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