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"text": "<p data-block-key=\"32z30\">Gagosian is celebrating the gallery’s thirtieth year at Art Basel with a major presence throughout the city, anchored by a presentation at the fair curated by Francesco Bonami. In addition, the gallery takes an ambitious approach to Art Unlimited, showing more large-scale works than ever before, while a group exhibition at Gagosian’s permanent space at Rheinsprung 1 offers a distinct space to explore the gallery’s program in even more depth. </p><p data-block-key=\"ci8rv\">At the fair, Bonami mixes new, recent, and rare artworks in groupings that invite comparison across mediums and between artists represented by the gallery. He explains: “We are bridging the gap between curatorial idealism and the art fair format, and we are doing so at scale, highlighting signature works from Gagosian artists and placing them in thoughtful dialogue with each other.”</p><p data-block-key=\"7hdc4\">Among the themes in Bonami’s presentation one can find the assertion of identity and anonymity, the continuing relevance of the past, and the vibrancy and vulnerability of human culture and the natural world.</p><p data-block-key=\"3jq7l\">Participating artists in the fair and gallery exhibition include Derrick Adams, Richard Avedon, Georg Baselitz, Jean-Michel Basquiat, Amoako Boafo, Carol Bove, Maurizio Cattelan, Christo, Sarah Crowner, John Currin, Willem de Kooning, Edmund de Waal, Jadé Fadojutimi, Rachel Feinstein, Urs Fischer, Lucio Fontana, Helen Frankenthaler, Theaster Gates, Cy Gavin, Nan Goldin, Piero Golia, Arshile Gorky, Katharina Grosse, Jennifer Guidi, Andreas Gursky, Lauren Halsey, Duane Hanson, Simon Hantaï, Damien Hirst, Tetsuya Ishida, Jia Aili, Donald Judd, Jamian Juliano-Villani, Ewa Juszkiewicz, Y.Z. Kami, Titus Kaphar, Martin Kippenberger, Jeff Koons, Deana Lawson, Rick Lowe, René Magritte, Piero Manzoni, Brice Marden, Adam McEwen, Joan Mitchell, Tyler Mitchell, Sabine Moritz, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Kathleen Ryan, Richard Serra, Jim Shaw, Rudolf Stingel, Spencer Sweeney, Sarah Sze, Mark Tansey, Cy Twombly, Andy Warhol, Tom Wesselmann, Rachel Whiteread, Stanley Whitney, Jordan Wolfson, and Jonas Wood.</p>",
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"contents_intro": "<p>On the occasion of two exhibitions—one at Gagosian, London, and the other at Kistefos in Jevnaker, Norway—the <em>Quarterly </em>shares an essay included in the forthcoming book <em>Kathleen Ryan: 2014–24</em>. Here, Harry Thorne writes on Kathleen Ryan’s artistic process, methods of assemblage, and how her studio resembles an excavation site.</p>",
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"contents_intro": "<p>At the center of Andreas Gursky’s new exhibition in Paris at Gagosian’s rue de Castiglione gallery is <em>Paris, Montparnasse II</em> (2025)<span>, a reengagement with his celebrated photograph from 1993 of the architect Jean Dubuisson’s iconic building in the capital city. In the new work, Gursky reexamines the subject, tracing the changes time has inscribed on the architecture and its occupants. Here, in conversation with the </span><em>Quarterly</em><span>’s Wyatt Allgeier and shown alongside behind-the-scenes images from the artwork’s making, the artist addresses his motivations and interests in this long-term project.</span></p>",
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"contents_intro": "<p>On the occasion of <em>Willem de Kooning: Endless Painting</em>, curated by Cecilia Alemani and comprising paintings from 1944 through 1986 and two sculptures, the <em>Quarterly </em>revisits a conversation between Albert Oehlen and John Corbett from 2013. The pair reflect on de Kooning’s late work and its lasting influence on them.</p>",
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"contents_intro": "<p><span>Architect Carlo Ratti has long worked at the crossroads of technology, design, and urban planning to see how digital tools can help create smarter cities. On the occasion of </span><em>Intelligens. Natural. Artificial. Collective.</em><span>—the Venice Architecture Biennale he curated, on view until November 23, 2025—Bartolomeo Sala asks him about the ideas driving his curatorship, what he means by architecture of adaptation in the face of climate change, and how different types of intelligence—natural, artificial, and collective—will be shaping the cities of the future.</span></p>",
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"contents_intro": "<p><span>From her Judenplatz Holocaust Memorial in Vienna to her casting of George Orwell’s World War II office at the BBC, Rachel Whiteread has long engaged with the emotional and historical complexities of addressing deeply troubling moments in human history through art. This month, Whiteread will debut a new work for the inaugural exhibition at the Goodwood Art Foundation in Sussex, England.</span></p>",
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"contents_intro": "<p>Sydney Stutterheim traces the linkages and affinities between the work of Richard Prince and that of Bob Dylan. Using Prince’s <em>Untitled (Dylan)</em> as a starting point, she considers the artist’s enduring interest in questions of originality and authorship, as well as his sustained relationship with the worlds of American music and counterculture.</p>",
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"contents_intro": "<p>In this ongoing series, the curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the second installment of 2025, we are honored to present the philosopher and playwright Hélène Cixous.</p>",
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"contents_intro": "<p>In 1990, postmodern dance pioneer Molissa Fenley performed <em>Bardo</em> at Keith Haring’s funeral. She created the piece as an homage to the artist and the creative friendship that he and Fenley had developed since they first met in Haring’s hometown of Kutztown, Pennsylvania. In honor of the thirty-fifth anniversary of Haring’s passing and with the support of the New York City AIDS Memorial, Fenley restaged the work with an ensemble cast on May 4, 2025, at the LGBT Community Center. Here, Fenley speaks with Tess Michaelson about the passage of time, the truthfulness of performance, and the expansion of empathic experience.</p>",
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"contents_intro": "<p>The second installment of a short story by Catherine Lacey.</p>",
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"url": "https://gagosian.com/fairs-and-collecting/fairs/art-basel-unlimited-2025-piero-golia/"
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"info": "<p data-block-key=\"e893l\">June 16–22, 2025<br/>Messe Basel<br/>Hall 1, U59<br/><a href=\"https://www.artbasel.com/basel/basel/basel/unlimited-overview\">www.artbasel.com</a></p>",
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"title": "Art Basel Unlimited 2025",
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