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Andy Warhol

B&W Ads and Illustrations 1985-86

February 5–March 16, 2002
Heddon Street, London

Andy Warhol, Key Service (neg), 1985–86 Synthetic polymer paint and silkscreen ink on canvas, 20 × 16 inches (50.8 × 40.6 cm)

Andy Warhol, Key Service (neg), 1985–86

Synthetic polymer paint and silkscreen ink on canvas, 20 × 16 inches (50.8 × 40.6 cm)

Andy Warhol, Map of Easten USSR Missle Bases (pos), 1985–86 Synthetic polymer paint and silkscreen ink on canvas, 72 × 80 inches (182.9 × 203.2 cm)

Andy Warhol, Map of Easten USSR Missle Bases (pos), 1985–86

Synthetic polymer paint and silkscreen ink on canvas, 72 × 80 inches (182.9 × 203.2 cm)

Andy Warhol, Paratrooper Boots (pos), 1985–86 Synthetic polymer paint and silkscreen ink on canvas, 80 × 72 inches (203.2 × 182.9 cm)

Andy Warhol, Paratrooper Boots (pos), 1985–86

Synthetic polymer paint and silkscreen ink on canvas, 80 × 72 inches (203.2 × 182.9 cm)

Andy Warhol, Christ $9.98 (pos), 1985–86 Synthetic polymer paint and silkscreen ink on canvas, 80 × 72 inches (203.2 × 182.9 cm)

Andy Warhol, Christ $9.98 (pos), 1985–86

Synthetic polymer paint and silkscreen ink on canvas, 80 × 72 inches (203.2 × 182.9 cm)

About

Reception: Tuesday, 5 February, 6 - 8 pm

Gagosian Gallery is pleased to announce the exhibition in London of an important group of late Warhol paintings, which have not been previously seen in full. Additional paintings and drawings from this series will be shown at the New York gallery in March.

In the mid-1980s Andy Warhol made a series of large (72x80") and small (16x20") silkscreened black and white paintings of images taken from advertisements, diagrams, maps, and illustrations in newspapers and magazines. With images of Russian missile bases, maps of Iran and Afghanistan, and common consumer items such as sneakers, hamburgers and motorbikes, they have a continuing uncanny resonance some 15 years after their creation. Warhol's constant themes of consumer culture, death and religion are powerfully represented in these late works. The paintings are contemporary with the collaborations Warhol made at this period with Jean-Michel Basquiat and Francesco Clemente, which revitalised his interest in painting, and which are directly related to the early Pop paintings which established Warhol's reputation in the early 1960s.

Andy Warhol (1928-87) was born in Pittsburgh, and moved to New York in 1949, where he became a well-known fashion illustrator. In the 1960s his paintings, films and other activities established Warhol's Factory as the famous epicentre of radical creativity in New York. Since his death in 1987, the continuity and importance of his work overall has become more widely recognised, and The Andy Warhol Museum opened in 1994.

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Christopher Makos, Andy Warhol at Paris Apartment Window, 1981

In Conversation
Christopher Makos and Jessica Beck

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.

Jessica Beck

Andy Warhol: Silver Screen

In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Alexander Calder poster for McGovern, 1972, lithograph

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Allen Midgette in front of the Chelsea Hotel, New York, 2000. Photo: Rita Barros

I’ll Be Your Mirror: Allen Midgette

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Andy Warhol, Self-Portrait with Skull, 1977, Polaroid Polacolor Type 108, 4 ¼ × 3 ⅜ inches (10.8 × 8.6 cm). The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol: From the Polaroid and Back Again

Jessica Beck, the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh, considers the artist’s career-spanning use of Polaroid photography as part of his more expansive practice.

Andy Warhol catalogue. Philadelphia: Institute of Contemporary Art, 1965.

Book Corner
On Collecting with Norman Diekman

Rare-book expert Douglas Flamm speaks with designer Norman Diekman about his unique collection of books on art and architecture. Diekman describes his first plunge into book collecting, the history behind it, and the way his passion for collecting grew.