
Now available
Gagosian Quarterly Fall 2024
The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.
Reception: Tuesday, 5 February, 6 - 8 pm
Gagosian Gallery is pleased to announce the exhibition in London of an important group of late Warhol paintings, which have not been previously seen in full. Additional paintings and drawings from this series will be shown at the New York gallery in March.
In the mid-1980s Andy Warhol made a series of large (72x80") and small (16x20") silkscreened black and white paintings of images taken from advertisements, diagrams, maps, and illustrations in newspapers and magazines. With images of Russian missile bases, maps of Iran and Afghanistan, and common consumer items such as sneakers, hamburgers and motorbikes, they have a continuing uncanny resonance some 15 years after their creation. Warhol's constant themes of consumer culture, death and religion are powerfully represented in these late works. The paintings are contemporary with the collaborations Warhol made at this period with Jean-Michel Basquiat and Francesco Clemente, which revitalised his interest in painting, and which are directly related to the early Pop paintings which established Warhol's reputation in the early 1960s.
Andy Warhol (1928-87) was born in Pittsburgh, and moved to New York in 1949, where he became a well-known fashion illustrator. In the 1960s his paintings, films and other activities established Warhol's Factory as the famous epicentre of radical creativity in New York. Since his death in 1987, the continuity and importance of his work overall has become more widely recognised, and The Andy Warhol Museum opened in 1994.

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Jessica Beck examines Andy Warhol’s return to painting in the 1970s, focusing on the artist’s Mao series.

Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

Raymond Foye speaks with the actor who impersonated Andy Warhol during the great Warhol lecture hoax in the late 1960s. The two also discuss Midgette’s earlier film career in Italy and the difficulty of performing in a Warhol film.

Jessica Beck, the Milton Fine Curator of Art at the Andy Warhol Museum, Pittsburgh, considers the artist’s career-spanning use of Polaroid photography as part of his more expansive practice.

Rare-book expert Douglas Flamm speaks with designer Norman Diekman about his unique collection of books on art and architecture. Diekman describes his first plunge into book collecting, the history behind it, and the way his passion for collecting grew.

Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.

James Lawrence explores how contemporary artists have grappled with the subject of the library.

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Picasso biographer Sir John Richardson sits down with Claude Picasso to discuss Claude’s photography, his enjoyment of vintage car racing, and the future of scholarship related to his father, Pablo Picasso.

The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.

An exhibition at Vassar College brings together almost one hundred works by Andy Warhol that highlight the methods and aesthetics of the artist’s portraiture.

Mary Ann Caws and Charles Stuckey discuss the presence of food and the dining table in the history of modern art.

Text by Derek Blasberg.

Thirty years ago, Andy Warhol’s Last Supper made its debut in Milan. To mark the anniversary of this project, Milan’s Museo del Novecento is hosting a special presentation from March 24 to May 18, 2017. Text by Jessica Beck, curator at the Andy Warhol Museum.