Gagosian is pleased to participate in West Bund Art & Design with an extensive group presentation. The gallery will exhibit works by Harold Ancart, Georg Baselitz, Glenn Brown, Urs Fischer, Katharina Grosse, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Jia Aili, Anish Kapoor, Yayoi Kusama, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Ed Ruscha, Alexandria Smith, Spencer Sweeney, Cameron Welch, Jonas Wood, and Zeng Fanzhi.

Download the full press release in English (PDF), Simplified Chinese (PDF), or Traditional Chinese (PDF)

Gagosian’s booth at West Bund Art & Design 2023. Artwork, left to right: © Zeng Fanzhi; © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2023; © Spencer Sweeney; © Yayoi Kusama. Photo: Alessandro Wang

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos

Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Spencer Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.

Urs Fischer: Wave

Urs Fischer: Wave

In this video, Urs Fischer elaborates on the creative process behind his public installation Wave, at Place Vendôme, Paris.

Georg Baselitz and Richard Calvocoressi

In Conversation
Georg Baselitz and Richard Calvocoressi

In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.  

All I Wanted To Do Was Paint: A Conversation between Katharina Grosse and Sabine Eckmann

All I Wanted To Do Was Paint: A Conversation between Katharina Grosse and Sabine Eckmann

The exhibition Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions premiered at the Mildred Lane Kemper Art Museum, Saint Louis, in September 2022. It continues its tour with presentations at the Kunstmuseum Bern, through June 2023, and the Kunstmuseum Bonn, opening in April 2024. To mark this momentous survey, the show’s curator, Sabine Eckmann, met with Grosse to discuss the evolution of her practice.

Gagosian Quarterly Summer 2023

Now available
Gagosian Quarterly Summer 2023

The Summer 2023 issue of Gagosian Quarterly is now available, featuring Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on its cover.

Gagosian Quarterly Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

Hao Liang and Hans Ulrich Obrist

In Conversation
Hao Liang and Hans Ulrich Obrist

To coincide with his recent exhibition Hao Liang: The Sad Zither at Gagosian, Grosvenor Hill, London, the artist speaks with curator Hans Ulrich Obrist about the past, his beginnings, and his references.

Harold Ancart and Andrew Winer

Harold Ancart and Andrew Winer

Harold Ancart speaks with novelist Andrew Winer about being present, finding freedom in tension, and pathological escapism.

Glenn Brown: From the Inside Out

Glenn Brown: From the Inside Out

Novelist Andrew Winer reports on the formal, conceptual, historical, and philosophical perspectives embedded in Glenn Brown’s latest paintings and drawings. The two talked after the opening of the artist’s recent New York exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent.

Hao Liang: Emaciation Now: Paintings of My Contemporaries

Hao Liang: Emaciation Now: Paintings of My Contemporaries

Travis Diehl pens an essay on Hao Liang’s latest paintings.

Languorous undulations (in the temple of my familiar)

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Artist to Artist: Spencer Sweeney and Peter Doig

Artist to Artist: Spencer Sweeney and Peter Doig

Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.

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