FOG Design+Art 2018
January 11–14, 2018, booth 209
Fort Mason Festival Pavilion, San Francisco
Gagosian is pleased to participate in FOG Design+Art Fair 2018, presenting a selection of works by Davide Balula, Alexander Calder, Helen Frankenthaler, Piero Golia, Mark Grotjahn, Andreas Gursky, Thomas Houseago, Mike Kelley, Giuseppe Penone, Sterling Ruby, Ed Ruscha, Taryn Simon, Jeff Wall, and others.
Mark Grotjahn, Untitled (African II, Gated Front and Back Mask M44.e), 2015 © Mark Grotjahn. Photo: Douglas M. Parker Studio
The Best Is Yet to Come
July 30–August 6, 2020
Sometimes you want to look back at what you did, and then you realize that you only care about the future.
Gagosian is pleased to present recent work by Piero Golia online for galleryplatform.la. Golia transforms everyday objects and commonplace events into exceptional works of art that defy established conventions and build narratives. His diverse practice includes both artworks that take physical form, often at an architectural scale, and others that are immaterial or conceptual. For his most recent project, Golia hired a painter to illustrate a set of eight porcelain plates with images from his past artistic output. Each is unique in terms of content, size, and shape; together, they become a self-portrait of the places, objects, and interventions constituting his life and work. From his celebrated sculpture Untitled (My Gold Is Yours), exhibited at the Venice Biennale in 2013, to a 2019 intervention involving the hiring of a landscape painter and an airplane, the set comprises a narrative retrospective of the artist’s career.
Piero Golia with his set of eight porcelain plates The Best Is Yet to Come (2020), Los Angeles, 2020. Artwork © Piero Golia. Photo: Joshua White/JWPictures.com
July 22–28, 2020
In her depictions of the human form, Jenny Saville transcends the boundaries of both classical figuration and modern abstraction. Oil paint, applied in heavy layers, becomes as visceral as flesh itself, each painted mark maintaining a supple, mobile life of its own. As Saville pushes, smears, and scrapes the pigment over her large-scale canvases, the distinctions between living, breathing bodies and their painted representations begin to collapse.
Photo: courtesy the artist
July 8–14, 2020
Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings exploring color and its effects on the eye to cabinets arranged with pills, medicines, or surgical instruments, his work challenges contemporary belief systems, tracing the uncertainties that lie at the heart of human experience.
Photo: Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
The Bigger Picture
Arts Leaders of Color
Jess Sims interviews Quanice Floyd and Joshua Henry Jenkins of the Arts Administrators of Color Network to discuss the organization’s COVID-19 emergency fund for BIPOC artists and arts administrators.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Emergency Arts Funding: Grants for United States Artists and Arts Workers
Gabriella Calandro, director of grants and curatorial affairs at the New York Foundation for the Arts, and Kathleen Flynn, deputy director of the Foundation for Contemporary Arts, speak with Gagosian director Kara Vander Weg about relief funding administered by their organizations for artists and arts workers in the United States during the COVID-19 pandemic.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.