Fairs & Collecting

March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.

January 19–21, 2024, booth BC06
Marina Bay Sands Expo and Convention Centre, Singapore
artsg.com

Gagosian is pleased to participate in the second edition of ART SG, with a selection of works by international contemporary artists including Harold Ancart, Georg Baselitz, Ashley Bickerton, Amoako Boafo, Dan Colen, Edmund de Waal, Nan Goldin, Lauren Halsey, Hao Liang, Keith Haring, Damien Hirst, Tetsuya Ishida, Alex Israel, Donald Judd, Y.Z. Kami, Emily Kame Kngwarreye, Rick Lowe, Takashi Murakami, Takashi Murakami & Virgil Abloh, Nam June Paik, Ed Ruscha, Jim Shaw, Alexandria Smith, Spencer Sweeney, Stanley Whitney, Jonas Wood, and Zeng Fanzhi. The works on view, which embrace a wide variety of subjects and approaches, find artists infusing traditional genres such as history painting, portraiture, and landscape with new and surprising ideas that traverse cultural and temporal boundaries. 

January 18–21, 2024, 2pm daily
ArtScience Cinema, Singapore
artsg.com

Nam June Paik and Jud Yalkut’s video Waiting for Commercials, 1966–72 (1992) features in ART SG FILM 2024, a program within the fair dedicated to showcasing new and experimental filmmaking practices, as well as art historically resonant works, particularly by artists and practitioners from around the Southeast Asia and Asia Pacific regions. Curated by Sam I-shan and copresented with the ArtScience Museum, this year’s program, Embodied Presences, gathers works addressing the body’s expressive potential. Organized into four hour-long daily screenings—Movement in Space (11am), Voice and Being (12:30pm), The Worldly and Otherworldly (2pm), and Future Shock: The End of Eternity (3:30pm)—it plays at ArtScience Museum’s cinema. Included in The Worldly and Otherworldly, Waiting for Commercials, 1966–72, an uproarious compilation of Japanese TV ads, is an early example of Paik’s use of appropriated broadcast imagery and was originally produced to accompany a performance work of the same title featuring Charlotte Moorman. The event is free to attend on a first-come, first-served basis.