The Estate Show at artgenève
January 31–February 3, 2019
Chris Burden’s 40 Foot Stepped Skyscraper (2011) will be featured in The Estate Show, an annual event at artgenève presenting a monumental work by a historic artist.
In 2008, Burden’s massive architectural structure What My Dad Gave Me was installed at Rockefeller Center in midtown Manhattan. One of the greatest technical feats of his oeuvre, the sculpture was built from approximately one million stainless-steel pieces replicating those of an Erector set, the popular twentieth-century children’s building toy. Though smaller than its 65-foot-high forebear, 40 Foot Stepped Skyscraper attests to Burden’s mastery of even more complex engineering principles. It was built in the approximate form of a ziggurat, with stairs that spiral around and step back from the perimeter as they rise to the sculpture’s apex. By moving around the sculpture, the viewer can conceive of climbing to the top, underscoring the tensions between monumental architecture and human possibility.
Chris Burden, 40 Foot Stepped Skyscraper, 2011 © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
Frieze Los Angeles
February 15–17, 2019, booth C06
Paramount Picture Studios, Los Angeles
Gagosian is pleased to participate in the inaugural edition of Frieze Los Angeles. Featuring works by Chris Burden, Jennifer Guidi, Shio Kusaka, Sterling Ruby, Ed Ruscha, Mary Weatherford, and others, the presentation will explore the various ways that Los Angeles–based artists have used drawing as both a physical and conceptual tool in their wide-ranging practices.
Ed Ruscha, Industrial Village, 1982 © Ed Ruscha
Screening and Visit
Friday, January 18, 2019, 6–8pm
Gagosian, Britannia Street, London
Join Gagosian Quarterly and MUBI for a screening of Chris Burden’s Big Wrench (1980) at Gagosian, Britannia Street, London. The event also provides a special opportunity to see the exhibition Chris Burden: Measured after hours before it closes on January 26, 2019. The short film will be shown at 6:10pm, 6:30pm, 6:50pm, 7:10pm, and 7:30pm. To attend the free event, RSVP to firstname.lastname@example.org.
Chris Burden, Big Wrench, 1980 (still) © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
January 31–February 3, 2019, booth B19
Gagosian is pleased to participate in artgenève 2019, with modern and contemporary artworks by Georg Baselitz, Chris Burden, Urs Fischer, Romuald Hazoumè, Damien Hirst, Sally Mann, Olivier Mosset, Steven Parrino, Giuseppe Penone, Richard Serra, Rudolf Stingel, Spencer Sweeney, Mark Tansey, Tatiana Trouvé, Tom Wesselmann, Franz West, and others.
To receive a PDF with detailed information on the works, please contact the gallery at email@example.com. To attend the fair, purchase tickets at artgeneve.ch. To preview our booth, go to artsy.net.
Damien Hirst, Truffle, 2016 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Roy Lichtenstein: 1961 to 1965
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
Arakawa: Diagrams for the Imagination
The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.
Jeff Wall: The World as It Appears
The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.
Time by Dance by Paik
Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.
Zeng Fanzhi on Cézanne, Morandi, and Sanyu
Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.
David Bailey: The Sixties
The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.
Helen Frankenthaler: Sea Change
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.
Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.