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Art Basel Unlimited 2019
Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, Tom Wesselmann

June 13–16, 2019, hall 1.1
Messe Basel
www.artbasel.com

Gagosian is pleased to announce that works by Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, and Tom Wesselmann have been selected for Art Basel Unlimited 2019, curated by Gianni Jetzer. Launched in 2000, Unlimited is an exhibition platform for exciting large-scale works that transcend the limits of the standard art fair booth. The five artworks are:

Edgar Cleijne and Ellen Gallagher, Highway Gothic, 2017–19
Duane Hanson, Lunchbreak, 1989
Steven Parrino, 13 Shattered Panels (for Joey Ramone), 2001
Giuseppe Penone, Cedro di Versailles (Cedar of Versailles), 2000–03
Tom Wesselmann, Still Life #60, 1973

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Related News

Tom Wesselmann, Sunset Nude with Wesselmann Still Life, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Art Fair

Art Basel Miami Beach 2019

December 5–8, 2019, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2019 with modern and contemporary artworks by Richard Avedon, Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, John Chamberlain, John Currin, Edmund de Waal, Rachel Feinstein, Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Theaster Gates, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Damien Hirst, Alex Israel and Bret Easton Ellis, Ellsworth Kelly, Jeff Koons, Roy Lichtenstein, Man Ray, Peter MarinoAdam McEwenJoan MitchellTakashi MurakamiAlbert OehlenSteven ParrinoPablo Picasso, Rudolf Polanszky, Richard PrinceSterling RubyEd RuschaRichard SerraRudolf StingelCy TwomblyAndy WarholMary WeatherfordTom WesselmannJonas WoodChristopher Wool, and Zao Wou-Ki, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at www.artbasel.com.

Download the full press release (PDF)

Tom Wesselmann, Sunset Nude with Wesselmann Still Life, 2004 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Acid-Free Los Angeles Art Book Market

Book Fair

Acid-Free Los Angeles Art Book Market 2019

November 1–3, 2019, table A04
Blum & Poe, Los Angeles
acid-free.info

Gagosian is pleased to participate in the Acid-Free Los Angeles Art Book Market, organized by a collective of Los Angeles–based independent art book publishers. A platform and marketplace for art books, the three-day event is focused on creating a space for meaningful and sustained conversations around art publishing. In addition to offering an assortment of catalogues associated with Los Angeles, the gallery will be celebrating the release of Piero Manzoni: An Artist’s Life, a biography of the Italian conceptual artist.

Download the full press release (PDF)

Acid-Free Los Angeles Art Book Market

Man Ray, Suicide (Kiki de Montparnasse), 1928 © Man Ray Trust/ADAGP 2019

Art Fair

Paris Photo 2019

November 7–10, 2019, booth B16
Grand Palais, Paris
www.parisphoto.com

Gagosian and Galerie 1900–2000 are pleased to participate in Paris Photo 2019 with a collaborative presentation dedicated to Man Ray’s. Although he worked in a wide variety of mediums across his storied career, Man Ray is perhaps best known for his expansive body of photographic works that simultaneously encompassed fashion, portraiture, and unprecedented technical experimentation.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at www.parisphoto.com.

Download the full press release in English (PDF) or French (PDF)

Man Ray, Suicide (Kiki de Montparnasse), 1928 © Man Ray Trust/ADAGP 2019

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

A painting with gold frame by Louis Michel Eilshemius. Landscape with single figure.

Eilshemius and Me: An Interview with Ed Ruscha

Ed Ruscha tells Viet-Nu Nguyen and Leta Grzan how he first encountered Louis Michel Eilshemius’s paintings, which of the artist’s aesthetic innovations captured his imagination, and how his own work relates to and differs from that “Neglected Marvel,” Eilshemius.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.