NY Art Book Fair 2019
September 20–22, 2019, project room 4
MoMA PS1, New York
Gagosian is participating in the NY Art Book Fair with a special project space conceived by Taryn Simon, to celebrate the release of recordings on vinyl from Simon’s landmark performance work, An Occupation of Loss, co-commissioned by Artangel and Park Avenue Armory.
In the piece, professional mourners simultaneously broadcast their lamentations, many of which trace their origins to pre-Islamic and pre-Christian times, enacting rituals of grief. The new double album, released by the Vinyl Factory, includes both live recordings made during the 2018 London performance and studio recordings of each lament performed by the professional mourners who collaborated on the London event.
At NYABF, visitors will be able to hear the album at listening stations, and to read an accompanying book that presents the laments with their English translations, Simon’s portraits of the performers, and documentation of the performers’ visa application process.
Taryn Simon, An Occupation of Loss, 2019 © The Vinyl Factory
ART021 Shanghai 2019
November 9–10, 2019, booth C02
Shanghai Exhibition Center
Gagosian is pleased to participate in ART021 Shanghai 2019, presenting works by Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Theaster Gates, Katharina Grosse, Simon Hantaï, Damien Hirst, Thomas Houseago, Robert Indiana, Jia Aili, Jeff Koons, Grant Levy-Lucero, Takashi Murakami, Nam June Paik, Ed Ruscha, Taryn Simon, Pierre Soulages, Rudolf Stingel, Sarah Sze, Mary Weatherford, and Tom Wesselmann, among others.
To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org.
Helen Frankenthaler, Eight in a Square, 1961 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Thursday, July 25, 2019, 12:30pm
Anderson Ranch Arts Center, Snowmass Village, Colorado
Taryn Simon will discuss the way she directs our attention to familiar systems of organization—bloodlines, criminal investigations, mourning, flower arrangements—and makes visible the hidden contours of power and authority with curator Kate Fowle. To attend the event, register at www.andersonranch.org.
Taryn Simon, A Cold Hole, 2018, installation view, MASS MoCA, North Adams, Massachusetts, May 26, 2018–March 24, 2019. Artwork © Taryn Simon
Tuesday, May 28, 2019, 6–7pm
National Gallery of Victoria, Melbourne, Australia
Taryn Simon will be in conversation with Gagosian director Louise Neri at the National Gallery of Victoria in Melbourne, Australia. The evening will include reflections on key bodies of work including An American Index of the Hidden and Unfamiliar, Contraband, A Living Man Declared Dead and Other Chapters I–XVIII, A Polite Fiction, Paperwork and the Will of Capital, and her recent performance works An Occupation of Loss and A Cold Hole. The pair will be introduced by Dr. Simon Maidment, senior curator of contemporary art at NGV. The free event has reached capacity. To join the wait list, contact email@example.com.
Taryn Simon, Bird corpse, labeled as home décor, Indonesia to Miami, Florida (prohibited) from Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Animal Specimens (Prohibited), Snails (Prohibited), Butterflies (Prohibited) from the series Contraband, 2010 © Taryn Simon
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.