Fairs & Collecting

Tuesday, March 2, 2021, 12pm est

Sterling Ruby will speak with Tim Blanks, editor of the Business of Fashion, about his artistic process and foray into haute couture, as well as how he has stayed creative during the pandemic. The haute couture collection was created in Ruby’s Los Angeles studio, expanding the idea of the artist’s studio as atelier. Garment construction—from pattern-drafting and 3-D draping to dyeing, washing, and rinsing—occurs under the same roof as metalworking, oil painting, and ceramic firing. To join the online event, register at businessoffashion.zoom.us.

Wednesday, December 2, 2020, 7–8pm est

Sterling Ruby will speak with former Hirshhorn Museum and Sculpture Garden chief curator Stéphane Aquin about his multifaceted art practice and his monumental sculpture DOUBLE CANDLE (2018), recently acquired by the museum and installed in their Sculpture Garden in Washington, DC. In addition to demonstrating Ruby’s belief in an embedded unification of both formal and political concerns, DOUBLE CANDLE brings together his interest in textiles and “soft sculpture”—the 23-foot-tall bronze sculpture is based on a “soft” version of the work that was recently on view in an exhibition surveying Ruby’s work at the Institute of Contemporary Art in Miami and the Institute of Contemporary Art, Boston. This virtual event is part of Talking to Our Time, the Hirshhorn’s online series of free talks featuring a diverse group of artists and collectives. To join, register at smithsonian.zoom.us.

Sterling Ruby: ACTS + TABLES is available for online reading from August 23 through September 21 as part of the From the Library series. Comprising two books housed in a slipcase, ACTS + TABLES was produced on the occasion of the Ruby’s 2019 exhibition at Gagosian, Britannia Street, London. One volume is dedicated to the ACTS series and the other to the TABLES series. In ACTS—whose title is short for “Absolute Contempt for Total Serenity”—Ruby captures liquid dye inside clear urethane and balances these pure prisms atop scuffed, inscribed, and spray-painted laminate-clad bases. The exhibition also includes TABLE (DOUBLE LAST SUPPER) (2019), the culminating work of Ruby’s TABLES, a series that explores the concept of personal and cultural archaeology. The book features a two-part essay by curator and critic Jenelle Porter and is designed by Purtill Family Business.