Taipei Connections 2020
May 2–10, 2020
Gagosian is pleased to present works by Sarah Sze and Stanley Whitney for the inaugural edition of Taipei Connections, an interactive digital platform organized by the directors of Taipei Dangdai 2020.
Split Stone (7:34) (2018), Sze’s first outdoor sculpture, consists of a granite boulder split open like a geode and inlaid with a pixelated image of a sunset. A Million Midnights (2019), a large-scale oil-on-linen painting by Whitney, stacks irregular blocks of luminous tones within the loose structure of a square canvas.
To receive a PDF with detailed information on the works, please contact the gallery at email@example.com.
Sarah Sze, Split Stone (7:34), 2018, installation view, Museo Nazionale Romano, Crypta Balbi, Rome © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio
American Academy of Arts and Sciences
Sarah Sze has been inducted into the American Academy of Arts and Sciences. The Academy, founded in 1780, is both an honorary society that recognizes and celebrates the excellence of its members and an independent research center convening leaders from across disciplines, professions, and perspectives to explore challenges facing society, identify solutions, and promote nonpartisan recommendations that advance the public good.
Sarah Sze, Ripple (Times Zero), 2020 © Sarah Sze
April 8–14, 2020
A peerless bricoleur, Sarah Sze gleans objects and images from worlds both physical and digital, assembling them into complex multimedia installations that prompt microscopic observation while evoking a macroscopic perspective on the infinite. In recent years she has returned to painting—the medium in which she first trained—producing works that translate her processes of sculptural accumulation into the making of collaged paintings that are detailed, dynamic, and highly textural.
Photo: courtesy MacArthur Foundation
One Artist, One Work, One Week
Launching April 8, 2020
As arts institutions worldwide temporarily close their doors to support efforts to contain the COVID-19 pandemic, exhibitions everywhere are being canceled, postponed, or curtailed. For artists who have invested time, energy, and resources preparing shows now directly affected by the health crisis, Gagosian is launching Artist Spotlight—a new, multifaceted program that invites individual artists to use the gallery’s online channels as an open platform, to present their work to the world and continue generating support for their studios.
Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images
The Nature of Mark Grotjahn
Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Mark Grotjahn: Capri
Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.
The Bigger Picture
Sky High Farm × Project EATS
Dan Colen and Linda Goode Bryant are both artists who have founded nonprofits devoted to food justice. Here they speak about art, food, and life, including how they arrived at farming and the urgency of their projects’ missions during the current health crisis.
A Single Moment: Dan Colen and Francesco Bonami
Dan Colen joins Francesco Bonami in a conversation about absence and nostalgia, decadence and decay, progress and failure—and about help, the theme of his most recent body of paintings.
Dan Colen with Hans Ulrich Obrist
Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).
Artist to Artist: Georg Baselitz and Zeng Fanzhi
On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.
There is Woman in the Landscapes: Willem de Kooning from 1959 to 1963
Lauren Mahony considers a critical four-year period in the painter’s career, examining the technical changes that occurred between his “abstract parkway landscapes” of the late 1950s and the “pastoral landscapes” that succeeded them, as well as the impact on his work of his impending move to Springs, New York.
Georg Baselitz: What if...
Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.
Katharina Grosse: The Movement Comes from Outside
Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Gagosian’s Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.
Katharina Grosse: I see what she did there
On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.
Women Artists: Katharina Grosse
In this film by Claudia Müller, Katharina Grosse curates a virtual exhibition of works by ten female artists, including Valie Export, Isa Genzken, Emily Kame Kngwarreye, Wangechi Mutu, and others. Speaking about each artist’s practice, she explains what draws her to the selected works, which range from painting and sculpture to performance video and installation.