Albert Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Through expressionist brushwork, surrealist methodology, and self-conscious amateurism he engages with the history of abstract painting, pushing the basic components of abstraction to new extremes. Oehlen is perhaps best known for his embrace of “bad” painting. Alongside his many rules, he allows a certain awkwardness to enter his work, introducing unsettling gestures, crudely drawn figures, visceral smears of artificial pigments, bold hues, and flesh tones. In this way, he attests to the infinite combinations of form made possible through painting, and shows that these combinations can be manipulated at the artist’s will to produce novel perceptual challenges for the viewer.
The Artist Spotlight series highlights the work of individual artists for one week each month. Launched in spring 2020 as a weekly platform, the series is now in its second season and is presented as a regular part of the gallery’s programming. Each Artist Spotlight features new online content, and artwork by the artist is made available with pricing information for forty-eight hours only.
Artist Spotlight: Albert Oehlen features a new painting by the artist. For more information, please contact the gallery at firstname.lastname@example.org.
Photo: Alejandro Ernesto/EPA/Shutterstock
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Albert Oehlen: Terrifying Sunset
The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Albert Oehlen and Hans Ulrich Obrist
Hans Ulrich Obrist interviews the artist on the occasion of his recent exhibition at the Serpentine Galleries, London.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Extended through November 9, 2019
September 12–November 9, 2019
Albert Oehlen has created a playlist of fourteen tracks on Spotify ranging in genres from free jazz to techno. Featuring musicians such as Steamboat Switzerland and Colin Stetson, the playlist shares the title of his upcoming exhibition at Gagosian, Beverly Hills, in which he interprets and transforms John Graham’s painting Tramonto Spaventoso (Terrifying Sunset) (1940–49). The artist discovered the work by the Russian-born American modernist painter in the 1990s and has been fascinated with it ever since.
Albert Oehlen in his studio, Ispaster, Spain, 2020. Artwork © Albert Oehlen. Photo: Esther Freund
Albert Oehlen: New Paintings is available for online reading from April 7 through June 5 as part of Artist Spotlight: Albert Oehlen. Published on the occasion of the artist’s first exhibition in Asia, in 2019, this volume presents a series of new paintings in watercolor on canvas. Emphasizing the importance of spontaneity within his artistic method, Oehlen’s decision to use watercolor marks a stylistic return to his hazy, blended, almost impressionistic oil paintings dating from 2016 and earlier. The catalogue features a text by Christian Malycha, as well as photographs of the works in process, and is bilingual, in English and Chinese.
Albert Oehlen: New Paintings (Hong Kong: Gagosian, 2019)
Elevator Paintings: Trees
Albert Oehlen: Elevator Paintings: Trees is available for online reading from April 7 through June 5 as part of Artist Spotlight: Albert Oehlen. Published on the occasion of the artist’s 2017 exhibition Elevator Paintings: Trees at Gagosian, West 21st Street, New York, this catalogue brings together two groups of works. The Tree Paintings are permutations of an ongoing series that Oehlen began more than thirty years ago. For this iteration, he limited his palette to predominantly black and red. Using a new technical approach, the Elevator Paintings are allover polychromatic oil paintings in which the artist stages oppositions between clear contours and amorphous blurs. The book features an essay by Andreas van Dühren.
Albert Oehlen: Elevator Paintings: Trees (New York: Gagosian, 2017)
“Grandi quadri miei con piccoli quadri di altri”
Through February 20, 2022
Museo d’arte della Svizzera italiana, Lugano, Switzerland
In this exhibition, Albert Oehlen: “Big Paintings by Me with Small Paintings by Others”, select works from Oehlen’s personal art collection are on view alongside some of his most significant paintings. In staging this large-scale exhibition, Oehlen aims to make relationships perceptible between his artworks and those by artists whose practices he has long admired. Work by Richard Artschwager, Willem de Kooning, Duane Hanson, Mike Kelley, and Franz West, among others, is included.
Albert Oehlen, Untitled, 1997/2005 © Albert Oehlen. Photo: Lothar Schnepf
May 7–September 19, 2021
Albertina Modern, Vienna
Inspired by Lewis Carroll’s 1865 novel Alice’s Adventures in Wonderland, this exhibition features more than a hundred contemporary artworks from the Albertina’s collection organized into seven different “chapters” conceived as independent yet loosely connected “worlds.” Work by Georg Baselitz, Katharina Grosse, Anselm Kiefer, Roy Lichtenstein, Albert Oehlen, Andy Warhol, and Franz West is included.
Georg Baselitz, B. für Larry (Remix), 2006 © Georg Baselitz
00s. Collection Cranford
Les années 2000
October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.
Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown
September 23, 2020–January 3, 2021
Fondation Louis Vuitton, Paris
Presented in conjunction with a retrospective on Cindy Sherman, Crossing Views examines a selection of works from the collection of the Fondation Louis Vuitton, chosen in collaboration with Cindy Sherman. Echoing the artist’s work, the exhibition unfolds across two floors and is centered on the theme of the portrait and its interpretation through different approaches and media, including painting, photography, sculpture, video, and installation. Work by Damien Hirst, Albert Oehlen, Cindy Sherman, and Andy Warhol is included.
Albert Oehlen, Rock, 2009 © Albert Oehlen