Permanent Installation
Galeria Adriana Varejão
Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil
Built into a hillside to reflect the site’s original topography, the Galeria Adriana Varejão pavilion at Inhotim Centro de Arte Contemporânea in Brumadinho, Brazil, was completed in March 2008 and houses six major works by Adriana Varejão, four created specifically for the structure. The centerpiece, Celacanto Provoca Maremoto (2004–08), is a mural covering four walls, made up of 184 painted canvas panels—white-and-blue squares that re-create original tiles the artist photographed, depicting angels, wings, and other decorative motifs, as well as the texture of cracked tiles. Founded by Bernardo Paz, the open-air museum is made up of multiple permanent pavilions placed throughout a 35-hectare (86.5-acre) park.
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Galeria Adriana Varejão, Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil. Artwork © Adriana Varejão. Photo: Eduardo Eckenfels
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Exhibition
Adriana Varejão in
Bienal das Amazônias
August 4–November 5, 2023
Various locations in Belém, Brazil
www.bienalamazonias.com.br
The inaugural Bienal das Amazônias brings contemporary art to the unique surroundings of Belém, in the northern state of Pará in Brazil. It aims to conceive artistic, educational, and socio-environmental actions and develop Pan-Amazonian audiences. Seeking to reflect how art is made in the region without resorting to stereotypes, the biennial includes work by more than 120 artists and collectives from eight countries surrounding the Amazon. Work by Adriana Varejão is included.
Adriana Varejão, Mucura, 2023 © Adriana Varejão. Photo: Vicente de Mello
Talk and Book Signing
Adriana Varejão
Louise Neri
Thursday, November 17, 2022, 6pm
Rizzoli Bookstore, New York
www.rizzolibookstore.com
Adriana Varejão will be in conversation with Gagosian director Louise Neri to celebrate the publication of the artist’s first English-language monograph, published by Rizzoli Electa, in association with Gagosian. Edited by Neri, the fully illustrated volume explores Varejao’s diverse body of work in depth and organizes her oeuvre into several conceptual groupings: “Cartographies,” “Antropofagia,” “Mestizaje,” “Baroque,” “Sauna and Baths,” and “Azulejo.” After the talk, Varejão will sign copies of the book, which will be available to purchase at the event.
Adriana Varejão (New York: Rizzoli Electa, in association with Gagosian, 2022)
Screening
Adriana Varejão Selects
October 21–30, 2022
Metrograph, New York
metrograph.com
Adriana Varejão has curated a selection of films as part of a series copresented by Gagosian and Metrograph in the theater and online. The program will feature cinema exploring themes of eroticism, excess, and science-fiction fatalism.
Varejão explains: “With these screenings, I’m taking a poetic approach, bringing together films that have opened doors in my art. . . . These aspects are present in my own art in the representations of flesh, in the imagined environments, in the historical parodies. The program also includes more recent remarkable Brazilian productions that resonate with my own thinking.”
Still from Bacurau (2019), directed by Kleber Mendonça Filho
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