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Walkthrough

Picasso Takeover Walkthrough
With Diana Widmaier-Picasso and Douglas Flamm

Thursday, February 16, 2017, 4:30–6pm
Gagosian Shop,  Madison Avenue

Picasso takeover at the Gagosian Shop, New York, 2017

Picasso takeover at the Gagosian Shop, New York, 2017

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Installation view, A Foreigner Called Picasso: Curated by Annie Cohen-Solal and Vérane Tasseau, Gagosian, West 21st Street, New York, November 10, 2023–February 10, 2024. Artwork © 2023 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Talk and Book Signing

Annie Cohen-Solal and Vérane Tasseau on Picasso
Moderated by Silvia Beltrametti

Monday, February 5, 2024, 6:30pm
La Maison Française, New York University
as.nyu.edu

Join Gagosian for a conversation with curators Annie Cohen-Solal and Vérane Tasseau on the occasion of their exhibition, A Foreigner Called Picasso, on view through February 10, 2024, at Gagosian, New York. The talk will be moderated by lawyer and lecturer Silvia Beltrametti, and the participants will discuss Cohen-Solal’s investigation of Picasso’s status as a permanent foreigner in France. The curators will also share stories behind the creation of the exhibition, which reimagines Cohen-Solal’s award-winning book, Un étranger nommé Picasso, and was first presented in a different iteration at the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration in association with the Musée Picasso, Paris, in 2021–22. After the talk, Cohen-Solal will sign copies of her book, which will be available for purchase.

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Installation view, A Foreigner Called Picasso: Curated by Annie Cohen-Solal and Vérane Tasseau, Gagosian, West 21st Street, New York, November 10, 2023–February 10, 2024. Artwork © 2023 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel Miami Beach 2022

December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com

Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.

Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano

Gagosian’s booth at Art Basel Miami Beach 2021. Artwork, left to right: © Albert Oehlen; © Judd Foundation/Artists Rights Society (ARS), New York; © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel Miami Beach 2021

December 2–4, 2021, booth D5
Miami Beach Convention Center
artbasel.com

Gagosian is pleased to announce its participation in Art Basel Miami Beach 2021 with a presentation of modern and contemporary works. A selection of these works will also appear on gagosian.com and on Art Basel’s Online Viewing Room.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Gagosian’s booth at Art Basel Miami Beach 2021. Artwork, left to right: © Albert Oehlen; © Judd Foundation/Artists Rights Society (ARS), New York; © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

A person lays in bed, their hand holding their face up as they look at something outside of the frame

Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.