Walter De Maria
Truth / Beauty
Saturday, April 22, 2017, 10am–3pm
26 avenue de l’Europe, Le Bourget
To mark the final day of the exhibition Walter De Maria at Gagosian, Le Bourget, this symposium will explore the evolution of the artist’s practice, discuss how his sculpture establishes a critical relationship with its viewers, and question what this work may mean in the broader cultural world today. Speakers include Elizabeth Childress, Emanuele Coccia, Louisa Hutton, Jane McFadden, Lars Nittve, Anaël Pigeat, Matthias Sauerbruch, and Corinna Thierolf. Organized by Donatien Grau and Kara Vander Weg. To attend the free event, RSVP to email@example.com.
Walter De Maria, Truth / Beauty, 1990–2016 (detail) © 2016 Estate of Walter De Maria. Photo: Mike Bruce
Frieze Sculpture New York
April 25–June 28, 2019
Rockefeller Center, New York
Frieze, in partnership with Tishman Speyer, is launching Frieze Sculpture at Rockefeller Center, New York, to be held annually in conjunction with Frieze New York. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York, is curating the immersive presentation, including works by Walter De Maria and Sarah Sze.
Three of the fourteen sculptures from De Maria’s Truth / Beauty series (1990–2016), which expands upon the artist’s use of permutations of rods, polygons, and numerical sequences, will be shown indoors.
Sze’s Split Stone (7:34) (2018), a natural granite boulder divided like a geode into two halves, in each of which the artist has embedded the image of a generic sunset, captured on her iPhone, will be outdoors.
Top: Walter De Maria, Truth / Beauty, 1990–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze
Tuesday, December 12, 2017, 6:30pm
Dia:Chelsea, New York
Artist Lucy Raven and musician Deantoni Parks will discuss the work of Walter De Maria. To attend this event, purchase tickets at www.diaart.org.
Walter De Maria, Truck Trilogy: Black Truck / Triangle, Circle, Square (2011–17) © 2017 Estate of Walter De Maria
Sculpture as Road
Saturday, October 14, 2017, 1pm
Dia:Beacon, New York
Through a series of embodied experiments in dialogue with works by Walter De Maria and John Chamberlain, this public tour led by Dia guide Jean-Marc Superville Sovak invites viewers to experience works in the collection through dialogue, observation, and physical discovery.
Walter De Maria, Truck Trilogy: Red Truck/Square, Triangle, Circle, 2011–17 © 2017 Estate of Walter De Maria
Titus Kaphar: From a Tropical Space
Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Nathaniel Mary Quinn: In the Studio
Hear the painter describe the creation of a new work in this time-lapse documentation of his process.
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Theaster Gates: Black Image Corporation
As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.
Lockdown: Henri Matisse’s Domestic Interiors
John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.
Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding
The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.