July 5–October 8, 2017
Regent’s Park, London
Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected twenty-five new and significant sculptures by leading artists around the world to be on view in Regent’s Park. Work by John Chamberlain, Michael Craig-Martin, and Urs Fischer is included.
Urs Fischer, Invisible Mother, 2015. Photo: Lucy Dawkins
Frieze Sculpture 2019
July 3–October 6, 2019
Regent’s Park, London
Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected new and significant sculptures by leading artists around the world to be on view in Regent’s Park. Included in the show is Huma Bhabha’s Receiver (2019), which references ancient sculpture and recent sci-fi, and Tom Sachs’s My Melody (2008), a three-meter-high rendition of the Japanese cartoon character.
Huma Bhabha, Receiver, 2019 © Huma Bhabha
Frieze Sculpture New York
April 25–June 28, 2019
Rockefeller Center, New York
Frieze, in partnership with Tishman Speyer, is launching Frieze Sculpture at Rockefeller Center, New York, to be held annually in conjunction with Frieze New York. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York, is curating the immersive presentation, including works by Walter De Maria and Sarah Sze.
Three of the fourteen sculptures from De Maria’s Truth / Beauty series (1990–2016), which expands upon the artist’s use of permutations of rods, polygons, and numerical sequences, will be shown indoors.
Sze’s Split Stone (7:34) (2018), a natural granite boulder divided like a geode into two halves, in each of which the artist has embedded the image of a generic sunset, captured on her iPhone, will be outdoors.
Top: Walter De Maria, Truth / Beauty, 1990–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze
July 4–October 7, 2018
Regent’s Park, London
Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected new and significant sculptures by leading artists around the world to be on view in Regent’s Park. A set of four majolica sculptures by Rachel Feinstein will be included.
Rachel Feinstein, Corine, 2018 © Rachel Feinstein
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
The Bigger Picture
Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Rainer Maria Rilke: Duino Elegies
Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.