Visit
Art en Vieille-Ville Genève
Thursday, November 2, 2017, 6–9pm
19 place de Longemalle, Geneva
www.avv.ch
Galleries located in the Vieille-Ville will be open to visitors after hours. Franz West: Works 1970–2017 will be on view at our Geneva gallery.
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Artwork © Archiv Franz West. Photo: Annik Wetter
Related News
Visit
Art en Vieille-Ville Genève
Thursday, November 8, 2018, 6–9pm
19 place de Longemalle, Geneva
www.avv.ch
Gagosian is pleased to participate in the fall opening of Art en Vieille-Ville. The group exhibition Fire and Clay and works by Paul Noble will be on view to visitors after hours at our Geneva gallery.
Artwork, left and right: © Sterling Ruby; center: © Takuro Kuwata. Photo: Annik Wetter
Installation
Franz West
November 16, 2023–March 15, 2024
Gagosian Shop, London
A selection of paper-based works and furniture by Franz West is on view at the Gagosian Shop in London’s historic Burlington Arcade. Installed throughout both floors of the space, the exhibited works are imbued with the Austrian artist’s riotous fusion of sincerity and absurdity. West’s series of drawings, posters, and collages, conjured from photographs, tawdry advertisements, and soft porn, possess the same raucous aesthetic and wit as his plaster and papier-mâché sculptures and his elegant pieces of functional furniture, which further expand the relationship between art and audience.
Franz West installation at Gagosian Shop, London, November 16, 2023–March 15, 2024. Artwork © Archiv Franz West, © Estate Franz West. Photo: Prudence Cuming Associates Ltd
In Conversation
Oscar Murillo and Ben Luke
On Franz West
Tuesday, October 10, 2023, 6pm
Gagosian, Grosvenor Hill, London
Join Gagosian for a conversation between Oscar Murillo and arts writer, critic, and broadcaster Ben Luke in conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West (1947–2012) at Frieze Masters 2023. The pair will discuss Murillo’s collaboration in selecting the works on view, which date from the 1970s through the 2010s, as well as his personal experiences meeting the late artist in London in the late 2000s and the enduring impact West continues to have on artists today.
Left: Oscar Murillo. Photo: Stuart Leech, Turner Contemporary, courtesy the artist. Right: Ben Luke
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Simon Hantaï: Azzurro
Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Vladimir Kagan’s First Collection: An Interview with Chris Eitel
Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Goetheanum: Rudolf Steiner and Contemporary Art
Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.
Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.