Tuesday, December 12, 2017, 6:30pm
Dia:Chelsea, New York
Artist Lucy Raven and musician Deantoni Parks will discuss the work of Walter De Maria. To attend this event, purchase tickets at www.diaart.org.
Walter De Maria, Truck Trilogy: Black Truck / Triangle, Circle, Square (2011–17) © 2017 Estate of Walter De Maria
Walter De Maria
Monday, September 20, 2021, 6:45pm, and Saturday, September 25, 2021, 4:45pm
Anthology Film Archives, New York
Walter De Maria’s film HARD CORE (1969) will be screened as part of Karl Precoda Selects, a program to celebrate the publication of Alan Licht’s book of interviews, Common Tones: Selected Interviews with Artists and Musicians 1995–2020. The selected films are directed by or feature artists highlighted in the book, or are discussed by Licht and his interlocutors in the interviews. Musician, filmmaker, and scholar Karl Precoda, one of the interviewees, has selected De Maria’s film, which was shot in the Black Rock desert of northwestern Nevada in the summer of 1969 and which features two pieces of music—Cricket Music (1964) and Ocean Music (1968)—composed, performed, and recorded by the artist. To attend the event, purchase tickets at ticketing.uswest.veezi.com.
Production still for Walter De Maria, HARD CORE, 1969 © 2021 Estate of Walter De Maria
Frieze Sculpture New York
April 25–June 28, 2019
Rockefeller Center, New York
Frieze, in partnership with Tishman Speyer, is launching Frieze Sculpture at Rockefeller Center, New York, to be held annually in conjunction with Frieze New York. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York, is curating the immersive presentation, including works by Walter De Maria and Sarah Sze.
Three of the fourteen sculptures from De Maria’s Truth / Beauty series (1990–2016), which expands upon the artist’s use of permutations of rods, polygons, and numerical sequences, will be shown indoors.
Sze’s Split Stone (7:34) (2018), a natural granite boulder divided like a geode into two halves, in each of which the artist has embedded the image of a generic sunset, captured on her iPhone, will be outdoors.
Top: Walter De Maria, Truth / Beauty, 1990–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze
Sculpture as Road
Saturday, October 14, 2017, 1pm
Dia:Beacon, New York
Through a series of embodied experiments in dialogue with works by Walter De Maria and John Chamberlain, this public tour led by Dia guide Jean-Marc Superville Sovak invites viewers to experience works in the collection through dialogue, observation, and physical discovery.
Walter De Maria, Truck Trilogy: Red Truck/Square, Triangle, Circle, 2011–17 © 2017 Estate of Walter De Maria
Gagosian Quarterly Films
Katharina Grosse: Think Big!
To mark the closing of Katharina Grosse’s exhibition Repetitions without Origin, on view at Gagosian, Beverly Hills, we present a special English-language online screening of Claudia Müller’s Katharina Grosse: Think Big! through Saturday, October 23, at 9pm EDT.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Behind the Art
Rick Lowe: In the Studio
Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Social Works II: Kahlil Robert Irving
Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.
The Destination Is Latinx
Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.
Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
The San Francisco Art Institute: Its History and Future
Constance Lewallen marks the 150th anniversary of the San Francisco Art Institute, exploring the school’s evolution and pioneering faculty, as well as current challenges and the innovations necessary for its preservation.