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In Conversation

Lucy Raven
Deantoni Parks

Tuesday, December 12, 2017, 6:30pm
Dia:Chelsea, New York
www.diaart.org

Artist Lucy Raven and musician Deantoni Parks will discuss the work of Walter De Maria. To attend this event, purchase tickets at www.diaart.org.

Walter De Maria, Truck Trilogy: Black Truck / Triangle, Circle, Square (2011–17) © 2017 Estate of Walter De Maria

Walter De Maria, Truck Trilogy: Black Truck / Triangle, Circle, Square (2011–17) © 2017 Estate of Walter De Maria

Related News

Top: Walter De Maria, Truth / Beauty, 1990–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze

Public Installation

Frieze Sculpture New York

April 25–June 28, 2019
Rockefeller Center, New York
www.frieze.com

Frieze, in partnership with Tishman Speyer, is launching Frieze Sculpture at Rockefeller Center, New York, to be held annually in conjunction with Frieze New York. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York, is curating the immersive presentation, including works by Walter De Maria and Sarah Sze.

Three of the fourteen sculptures from De Maria’s Truth / Beauty series (1990–2016), which expands upon the artist’s use of permutations of rods, polygons, and numerical sequences, will be shown indoors.

Sze’s Split Stone (7:34) (2018), a natural granite boulder divided like a geode into two halves, in each of which the artist has embedded the image of a generic sunset, captured on her iPhone, will be outdoors.

Top: Walter De Maria, Truth / Beauty, 1990–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze

Walter De Maria, Truck Trilogy: Red Truck/Square, Triangle, Circle, 2011–17 © 2017 Estate of Walter De Maria

Tour

Sculpture as Road

Saturday, October 14, 2017, 1pm
Dia:Beacon, New York
www.diaart.org

Through a series of embodied experiments in dialogue with works by Walter De Maria and John Chamberlain, this public tour led by Dia guide Jean-Marc Superville Sovak invites viewers to experience works in the collection through dialogue, observation, and physical discovery.

Walter De Maria, Truck Trilogy: Red Truck/Square, Triangle, Circle, 2011–17 © 2017 Estate of Walter De Maria

Photo: Zarko Vijatovic

Visit

Nocturne Rive Droite

Wednesday, May 17, 2017, 6–11pm
4 rue de Ponthieu, Paris
www.art-rivedroite.com

Galleries located in the triangle d’or will be open to visitors after hours. A group exhibition including work by John Chamberlain, Walter De Maria, Edmund de Waal, Carsten Höller, Olivier Mosset, Steven Parrino, Sterling Ruby, Richard Serra, Taryn Simon, and Tatiana Trouvé will be on view at our Paris gallery.

Photo: Zarko Vijatovic

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.