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Artist Talk

Dialogues with Painting
David Reed and Kim Conaty on Mary Corse

Thursday, July 26, 2018, 7pm
Whitney Museum of American Art, New York
www.whitney.org

This program considers Mary Corse’s experiments with painting by examining process, materials, and forms in the ongoing exhibition Mary Corse: A Survey in Light. David Reed and curator Kim Conaty will discuss Corse’s practice in front of the works themselves. To attend the event, purchase tickets at whitney.org.

David Reed

David Reed

Related News

Joan Mitchell, No Rain, 1976, Museum of Modern Art, New York © Estate of Joan Mitchell

Panel Discussion

Lynda Benglis, Abraham Cruzvillegas, David Reed

Wednesday, October 10, 2018, 6pm
Museum of Modern Art, New York
www.moma.org

This conversation will explore the varied forms and paths of a life dedicated to making art. Contemporary artists will share observations, thoughts, and questions about the careers of artists featured in the exhibition The Long Run, currently on view at MoMA through November 4. David Reed will speak on Joan Mitchell. Other participants will include Lynda Benglis and Abraham Cruzvillegas. To attend the event, purchase tickets at www.moma.org.

Joan Mitchell, No Rain, 1976, Museum of Modern Art, New York © Estate of Joan Mitchell

David Reed

Artist Talk

David Reed

Friday, April 6, 2018, 4:50pm
School of Visual Arts Theatre, New York
www.bodyofwork2018.com

As part of the symposium Body of Work: Contemporary Artists’ Estates  and Conservation, David Reed reflects on the experience of revisiting his early brushmark paintings, forty years after their making, for the 2016–17 exhibition Painting Paintings (David  Reed) 1975. To attend this free event, register for the symposium at www.bodyofwork2018.com.

David Reed

Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York

Screening

Richard Serra
The Complete Films and Videos

October 17–23, 2019
Anthology Film Archives, New York
anthologyfilmarchives.org

In conjunction with a trio of Gagosian exhibitions of Richard Serra’s work in New York, the gallery and Anthology Film Archives will present a three-day retrospective of the artist’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; Joan Jonas; and Stiftung Situation Kunst, Bochum, Germany. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23. To attend the event, purchase tickets at www.brownpapertickets.com or at the box office on the day of the show.

Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Video still of Sarah Sze speaking at a TED conference, Vancouver, BC, April 2019.

Sarah Sze: Art That Explores Time and Memory

Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.