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Lecture

Dan Colen

Friday, September 21, 2018, 7pm
De la Cruz Collection, Miami
www.delacruzcollection.org

Dan Colen will speak about his practice and his new series of works inspired by desert landscapes. To attend the free event, reserve tickets at www.delacruzcollection.org.

Dan Colen, Vengeance, 2015 © Dan Colen. Photo: Christopher Burke

Dan Colen, Vengeance, 2015 © Dan Colen. Photo: Christopher Burke

Related News

Left to right: Dan Colen. Photo: Andrew Zuckerman. Aimee Meredith Cox. Photo: Frederick Williams. Hank Willis Thomas. Photo: Andrea Blanch. Ora Wise. Photo: Stephen Vixjo

In Conversation

Dan Colen, Aimee Meredith Cox, Hank Willis Thomas
Moderated by Ora Wise

Thursday, May 6, 2021, 5pm edt

In partnership with Dover Street Market, Gagosian will host an online conversation between Dan Colen, artist and founder of Sky High Farm, Aimee Meredith Cox, associate professor of Anthropology and African American Studies at Yale University and author of the award-winning monograph Shapeshifters: Black Girls and the Choreography of Citizenship, and Hank Willis Thomas, Conceptual artist and cofounder of For Freedoms. Moderated by Ora Wise, executive director of Sky High Farm, the group will explore the transformative power of art making, the politics of collaboration, and the role of creative expression within social justice movements. To join, register at eventbrite.com.

This talk is part of a tribute, organized by Frieze New York, honoring the Vision & Justice Project and its founder Sarah Elizabeth Lewis. The Vision & Justice Project is dedicated to examining art’s central role in understanding the relationship between race and citizenship in the United States.

Left to right: Dan Colen. Photo: Andrew Zuckerman. Aimee Meredith Cox. Photo: Frederick Williams. Hank Willis Thomas. Photo: Andrea Blanch. Ora Wise. Photo: Stephen Vixjo

Sky High Farm T-shirts with illustrations by Joana Avillez. Photo: Quil Lemons

Partnership

Dan Colen × Dover Street Market
Twelve brands create exclusive merchandise to support Sky High Farm

Following their February 2020 partnership, Sky High Farm and Dover Street Market are launching an ambitious yearlong project featuring merchandise collaborations across the industries of fashion, art, film, food, and design. For the first iteration, Sky High Farm founder Dan Colen has selected twelve independently minded brands allied by a shared sense of civic responsibility to create exclusive garments or accessories bearing the farm’s signature artwork—created by Joana Avillez—to be sold online and at Dover Street Market’s New York and Los Angeles locations. Raising both funds and awareness, the collaboration will support Sky High Farm’s commitment to standing up against inequity in our food systems and to providing sustenance, nutrition, healing, and new opportunities for underserved communities.

Sky High Farm T-shirts with illustrations by Joana Avillez. Photo: Quil Lemons

Dan Colen: High Noon (New York: Gagosian, 2020)

Online Reading

Dan Colen
High Noon

Dan Colen: High Noon is available for online reading from May 20 through June 19 as part of Artist Spotlight: Dan Colen. The book documents two performance pieces by the artist, Carry On Cowboy and At Least They Died Together (both 2018), and a related exhibition of Desert paintings (2015–19), presented at Gagosian, Beverly Hills. The volume features an essay by Douglas Fogle, as well as a conversation between Colen, Fogle, and choreographer Dimitri Chamblas.

Dan Colen: High Noon (New York: Gagosian, 2020)

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

Black and white portrait of Frida Escobedo

Hans Ulrich Obrist’s Questionnaire: Frida Escobedo

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.

Black and white portrait of Katherine Dunham leaping in the air

Border Crossings: Exile and American Modern Dance, 1900–1955

Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.