February 9–April 21, 2019
Coachella Valley, Whitewater, California
Sterling Ruby’s fluorescent orange monolith SPECTER (2019), appears as an apparition in the desert as part of Desert X, a contemporary-art biennial in Coachella Valley, California. The artist’s brightly colored geometric sculpture creates a jarring optical illusion, giving the landscape the effect of a Photoshopped composite or collage, as if something has been removed or erased from the terrain.
Sterling Ruby, SPECTER, 2019 © Sterling Ruby
November 27–30, 2019
Gagosian, Britannia Street, London
Join Gagosian for a special screening of Sterling Ruby’s Dihedral (2006) on the occasion of the exhibition ACTS + TABLE, on view through December 14. In the short video, a voice-over intones a modified quote from sociologist Roger Caillois’s surrealist etymological text, “Mimicry and Legendary Psychasthenia,” as waves of color encounter a clear liquid. Dihedral illustrates the process that is captured in Ruby’s ACTS series, in which liquid dye is fixed inside clear urethane blocks. The film will be screened during gallery opening hours, from 10am to 6pm. The event is free and open to the public.
Sterling Ruby, Dihedral, 2006 (still) © Sterling Ruby
Sterling Ruby and Sam Orlofsky
Frieze London 2019 Online Viewing Room
Sterling Ruby sits down in his studio with Gagosian director Sam Orlofsky to discuss the Online Viewing Room collaboration on the occasion of Frieze London 2019, as well as his influences and the history of his work. Highlighting Ruby’s multidisciplinary approach to art making, this online event features seven artworks from pivotal moments in his trajectory, alongside a range of art historical influences that have shaped his practice over time.
To subscribe for updates about Online Viewing Room presentations, visit gagosianviewingroom.com.
Still of Sterling Ruby in conversation with Sam Orlofsky
ACTS + TABLE
Thursday, November 7, 2019, 6:15pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of Sterling Ruby: ACTS + TABLE, currently on view at Britannia Street, London, led by Serena Cattaneo Adorno, Gagosian director, and Alessandro Rabottini, director of Miart, International Fair of Modern and Contemporary Art. The works in the show lay out Ruby’s critique of the authoritarian, exclusionary ideological underpinnings of Minimalism. He begins with familiar shapes valued by the Minimalists—simple tables and rectilinear blocks—but subverts them by defacing their smooth surfaces and exposing their physical means of production. The event has reached capacity. To join the wait list, contact email@example.com.
Installation view, Sterling Ruby: ACTS + TABLE, Gagosian, Britannia Street, London, October 2–December 14, 2019. Artwork © Sterling Ruby. Photo: Lucy Dawkins
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Theaster Gates: Amalgam
Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.
The artist discusses her life and work with Alan Yentob.
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Edmund de Waal and Jan Dalley
At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.
Discovering Dora Maar
Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.