Ed Ruscha will be presented with the J. Paul Getty Medal in honor of his work as a painter, draftsman, photographer, and bookmaker.
Photo: Sten Rosenlund
January 14–18, 2019, 10am–6pm
USC School of Architecture, University of Southern California, Los Angeles
The five-day pop-up screening showcases Premium (1971) and Miracle (1975), two rare films made by Ed Ruscha. Both films, featuring Ruscha’s signature deadpan humor and keen translation of the contemporary American condition, offer an exploration of storytelling and the conventional narrative codes of Hollywood. The event is free and open to the public.
Ed Ruscha, Miracle, 1975 (still) © Ed Ruscha
Friday, June 8, 2018, 6:30–7:30pm
National Gallery, London
Ed Ruscha has shaped the way we see the American landscape over the span of his influential six-decade career. Hear him discuss his upcoming exhibition, Ed Ruscha: Course of Empire, opening at the National Gallery on June 11, with Christopher Riopelle, the museum’s Neil Westreich curator of post-1800 paintings. To attend the event, purchase tickets at www.nationalgallery.org.uk.
Photo: Manfredi Gioacchini
Sunday, April 8, 2018, 2pm
Metropolitan Museum of Art, New York
Ed Ruscha and Tom McCarthy will discuss the influence the nineteenth-century landscape painter Thomas Cole has had on their careers in conjunction with the exhibition Thomas Cole’s Journey, organized by the Met’s Curator of American Paintings and Sculpture Elizabeth Kornhauser. To attend the event, purchase tickets at www.metmuseum.org.
Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836, Metropolitan Museum of Art, New York. Photo © The Metropolitan Museum of Art, New York
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Behind the Art
Setsuko: Into the Trees
Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.
The Bigger Picture
Children’s Arts Guild
Founded in 2010, the Children’s Arts Guild is using creative expression to empower young people in defining who they are and who they want to be. Guild co-founder Alexander Kopelman talks to Jennifer Knox White about the organization’s mission and future plans.
Edmund de Waal: psalm
The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.
Jeff Wall: The Space of Photography
Jeff Wall leads a tour through his most recent exhibition in New York.
Text by Richard Hell.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.