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Madison Avenue Gallery Walk 2019

Saturday, April 27, 2019, 10am–7pm
New York
madisonavenuebid.org

Visit nearly fifty galleries that line Madison Avenue from East Fifty-Seventh to East Eighty-Sixth Streets the Saturday preceding Frieze New York and the European Fine Art Fair. Throughout the day, curators at participating galleries will present discussions about their respective exhibitions. The event is free and open to the public.

Gagosian Shop, 976 Madison Avenue, New York

Gagosian Shop, 976 Madison Avenue, New York

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Setsuko: Into Nature (New York: Gagosian, 2024)

Book Signing

Setsuko
Into Nature

Thursday, April 25, 2024, 6–8pm
Gagosian, rue de Ponthieu, Paris

To celebrate the publication of her new book, Into NatureSetsuko will sign copies at Gagosian, Paris, among a special installation of her works. Into Nature commemorates Setsuko’s recent exhibition of the same name at Gagosian, Gstaad, featuring ceramic and bronze sculptures, paintings, and works on paper. In addition to plates, exhibition views, and archival photography, the publication features a foreword by the artist and a text by novelist and poet Shan Sa, who was formerly an assistant to Setsuko. Published by Gagosian, the book will be available for purchase at the event, which is free to attend.

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Setsuko: Into Nature (New York: Gagosian, 2024)

Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

In Conversation

Public Art Fund Talks
Sarah Sze and Teju Cole

Thursday, April 25, 2024, 6:30–7:30pm
Cooper Union School of Art, New York
cooper.edu

Sarah Sze will be in conversation with writer Teju Cole as part of Public Art Fund Talks, a series organized in collaboration with the Cooper Union to connect contemporary artists to a broad public. The pair will discuss Sze’s ambitious site-specific sculpture Shorter Than the Day (2020), permanently installed at LaGuardia Airport, New York. Commissioned in a partnership between Public Art Fund and LaGuardia Gateway Partners, Sze’s work evokes the passage of time through an intricate constellation of photographs of the sky above New York City taken over the course of one day. Sze and Cole will also explore how both of their respective artistic practices capture nonlinear experiences of time and the urban environment. The event is free to attend.

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Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Tour

Francesca Woodman
With Lissa McClure and Katarina Jerinic

Friday, April 26, 2024, 10am
Gagosian, 555 West 24th Street, New York

Join Gagosian for a tour of the exhibition Francesca Woodman at Gagosian, New York, led by Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation. The pair will guide visitors through the presentation of over fifty prints from approximately 1975 through 1980, in which Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture.

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Installation view, Francesca Woodman, Gagosian, 555 West 24th Street, New York, March 13–April 27, 2024. Artwork © Woodman Family Foundation/Artists Rights Society (ARS), New York. Photo: Owen Conway

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

Black and white portrait of Frida Escobedo

Hans Ulrich Obrist’s Questionnaire: Frida Escobedo

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.

Black and white portrait of Katherine Dunham leaping in the air

Border Crossings: Exile and American Modern Dance, 1900–1955

Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.