Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact email@example.com.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
Joe Bradley: Eric’s Hair is available for online reading from August 12 through September 10 as part of the From the Library series. The catalogue was published for an exhibition at Gagosian, Beverly Hills, in 2017 and features new paintings and sculpture by Joe Bradley. Weaving together both ironic and earnest cultural references and engagements with the tradition and aesthetics of paint on canvas, Bradley’s maverick oeuvre is built on a diverse and deadpan visual language that defies easy categorization. In these works, Bradley tempers the use of color in bold primary swaths with approaches to form and surface that remain resolutely contingent. The publication includes a text by Laura Hoptman.
Joe Bradley: Eric’s Hair (Beverly Hills: Gagosian, 2019)
Chris Burden: Streetlamps is available for online reading from August 9 through September 7 as part of the From the Library series. The comprehensive book explores Chris Burden’s iconic work with antique streetlamps. Five major streetlamp sculptures are highlighted, all of which are lavishly documented from conception through installation. The works are further illuminated with texts by Russell Ferguson, Christopher Bedford, and George Roberts; a conversation between Michael Govan and Chris Burden; and a photo essay by Ari Marcopoulos. This was the 500th book the gallery published, which was an exciting and fitting publication to mark the achievement as Burden was among the first artists to work with Larry Gagosian, starting in 1976.
Chris Burden: Streetlamps (New York: Gagosian, 2017)
Gray Sound Sessions
Friday, July 31, 2020, 7–8pm edt
Theaster Gates and special guests will perform Gates’s sound piece Whoa de Whoa as part of Gray Sound Sessions, a free streaming weekly music-and-sound series featuring concerts, happenings, and experiments with form and platform. The event is put on by the Gray Center for Arts and Inquiry at the University of Chicago. To watch the live performance, visit Theaster Gates’s Instagram.
Photo: courtesy Theaster Gates Studio
The Bigger Picture
Arts Leaders of Color
Jess Sims interviews Quanice Floyd and Joshua Henry Jenkins of the Arts Administrators of Color Network to discuss the organization’s COVID-19 emergency fund for BIPOC artists and arts administrators.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
Emergency Arts Funding: Grants for United States Artists and Arts Workers
Gabriella Calandro, director of grants and curatorial affairs at the New York Foundation for the Arts, and Kathleen Flynn, deputy director of the Foundation for Contemporary Arts, speak with Gagosian director Kara Vander Weg about relief funding administered by their organizations for artists and arts workers in the United States during the COVID-19 pandemic.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Jenny Saville and Nicholas Cullinan
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, from her studio. They discuss portraiture, her latest work, and her art historical influences, as well as the shifting nature of perception in the age of digital communication.
Mike Milken and Larry Gagosian
Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.
Five Preoccupations: Jenny Saville
Jenny Saville shares a selection of the books, films, and more that have been her companions in the quiet of the shutdowns in recent months and as she looks ahead to a new exhibition next year.
Casa Malaparte: Furniture
Featuring interviews with Tommaso Rositani Suckert and Serena Cattaneo Adorno, this video presents a unique look at the history of Casa Malaparte in Capri and documents the fabrication of new editions of the iconic furniture pieces from the house, designed in the late 1930s by avant-garde writer Curzio Malaparte.
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for his upcoming exhibition at Gagosian, New York, this fall. In this video, shot entirely on location in Chicago during the recent tumultuous weeks, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.