Thursday, April 11, 2019, 6–9pm, booth H13
Geffen Contemporary at MOCA, Los Angeles
During the opening night of the LA Art Book Fair, Alex Israel will sign copies of his new book, SPF-18, at Westreich Wagner’s booth. This publication accompanies the artist’s 2017 feature film of the same name and includes on-set photography, behind-the-scenes imagery, and the full script. It is a beautifully illustrated artist book that visually narrates the film’s storyline and documents the filmmaking process, co-published by Gagosian and Westreich Wagner. To attend the event, purchase tickets at www.printedmatter.org.
Alex Israel: SPF-18 (New York: Gagosian; New York: Westreich Wagner, 2019)
Alex Israel, Bettina Korek, Hans Ulrich Obrist
July 29–August 2, 2019, 10am–3pm
Anderson Ranch Arts Center, Snowmass Village, Colorado
Alex Israel, Bettina Korek, and Hans Ulrich Obrist will host a five-day seminar for practicing artists at Anderson Ranch. Through lectures, discussions, readings, and critiques, the trio will guide artists deeper into the concepts behind their work and their agency in the art world.
Bettina Korek, Hans Ulrich Obrist, and Alex Israel
Sunday, July 29, 2018, 6pm
Southampton Arts Center, New York
Alex Israel’s 2017 film SPF-18 will be screened at the Southampton Art Center. The artist will introduce the film followed by a conversation with Israel and Giulia D’Agnolo Vallan, film writer and curator. To attend the event, purchase tickets at southamptonartscenter.org.
Alex Israel, SPF-18, 2017 (film still) © Alex Israel
Talk and Book Signing
Sunday, November 12, 2017, 4–6pm
Art Catalogues at Los Angeles
Museum of Contemporary Art
Alex Israel will speak with critic and curator Jack Bankowsky on the occasion of the publication of his new book, Alex Israel, b. 1982, Los Angeles. Following the discussion, Israel will sign copies of the book.
Alex Israel, b. 1982, Los Angeles (Dijon, France: Les Presses du Reel, 2017)
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.