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Commission

Theaster Gates
Chicago Transit Authority

In April 2019, the Chicago Transit Authority unveiled two new works by Theaster Gates, commissioned for the recently completed 95th/Dan Ryan station, located at the southernmost end of the city’s Red Line. With america, america (2019), a pair of large tapestries made from decommissioned fire hoses, on display in the station’s South Terminal, the artist aims to formally materialize the history of the civil rights struggle in the US and to acknowledge that the work of equity and equality is an ongoing effort carried on not by one person but by all.

Theaster Gates, america, america, 2019 (detail) © Theaster Gates

Theaster Gates, america, america, 2019 (detail) © Theaster Gates

Related News

Theaster Gates. Photo: Rankin

Screening and Talk

Theaster Gates
Dance of Malaga

Wednesday, May 8, 2019, 7–8:30pm
Getty Center, Los Angeles
www.getty.edu

To conclude the Getty Scholar Year Symposium on the theme of monumentality, keynote presenter Theaster Gates—current artist-in-residence at the Getty Research Institute—will screen his recent film Dance of Malaga (2019). The film is a monument to the people of Malaga Island, Maine, and a meditation on love and race in America. The screening will be followed by a conversation with the Research Institute’s deputy director, Andrew Perchuk. To attend the free event, reserve tickets at tickets.getty.edu.

Theaster Gates. Photo: Rankin

Theaster Gates. Photo: Julian Salinas

Symposium

Theaster Gates
Vision and Justice: A Convening

April 25–26, 2019
Harvard University, Cambridge, Massachusetts
www.radcliffe.harvard.edu

Theaster Gates is participating in “Vision and Justice,” a two-day creative gathering that will consider the role of the arts in understanding the nexus of art, race, and justice. The program will emphasize short presentations, with the goal of outlining and catalyzing ideas for future work in art and justice around the country and the world. To attend the free event, register at www.boxoffice.harvard.edu. To live-stream the event, visit www.radcliffe.harvard.edu.

Theaster Gates. Photo: Julian Salinas

Photo: Sara Polley

New Representation

Theaster Gates

Gagosian is pleased to announce the representation of Theaster Gates. In a single decade, Gates has incubated compelling new models for legacy building, social transformation, and making art. Encompassing sculpture, painting, ceramics, video, performance, and music, his art both derives from and sustains ambitious urban renewal projects—creating hubs and archives for Black culture, which serve as catalysts for discussions on race, equality, space, and history. Aspects of Gates’s oeuvre suggest the almost shamanic role of worker and artisan, where the power of the unseen is harnessed and manifested in the ordinary and everyday. In his abstract compositions made out of new and used roofing materials—tar, rubber, slate—working-class labor, ritual, and formalism intersect and are imbued with religious potency.

Download the press release in English (PDF) or French (PDF)

Photo: Sara Polley

Marc Newson, London, 2018.

In Conversation
Marc Newson & Derek Blasberg

Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

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David Bailey: The Sixties

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The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.

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View of the south front of Kenwood House.

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Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.