May 22–25, 2019
Barbican Theatre, London
Brice Marden is collaborating with choreographer Pam Tanowitz and composer Kaija Saariaho to present Four Quartets, a titular dance performance based on T. S. Eliot’s modernist masterpiece from 1943. The evocative stage design centers on paintings by Marden, their exquisite colors and strokes making connections to the geographical locations of the masterpiece’s four individual parts. Containing piercing and unforgettable literary passages, this unprecedented collaborative performance of the work is the first to be authorized by the T. S. Eliot Estate. To attend the event, purchase tickets at barbican.org.uk.
Premiere of Four Quartets at the Richard B. Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson, New York, July 6–8, 2018. Photo: Maria Baranova
July 6–8, 2018
Richard B. Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson, New York
Brice Marden is collaborating with choreographer Pam Tanowitz and composer Kaija Saariaho to present the world premiere of Four Quartets, the first-ever authorized dance performance based on T. S. Eliot’s modernist masterpiece from 1943 as part of Bard SummerScape 2018. All three collaborators share Eliot’s gift for abstraction and furthermore, like the poet, all three artists combine a conceptual approach with a profound feel for the personal. To attend the event, purchase tickets at fishercenter.bard.edu.
Brice Marden, Untitled (Hydra), 2018 © 2018 Brice Marden/Artists Rights Society (ARS), New York. Photo: Bill Jacobson
Saturday, September 30, 2017, 11am–12pm
Royal Academy of Arts, London
Brice Marden talks about new work and the status of painting today with Gary Hume, in a discussion chaired by Royal Academy artistic director Tim Marlow.
Photo: Eric Piasecki
Brice Marden received an Honorary Degree of Doctor of Fine Arts from Bard College for his contribution to the arts at the 157th commencement for the Class of 2017.
Photo: Neville Elder/Corbis via Getty Images
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Roy Lichtenstein: 1961 to 1965
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
Arakawa: Diagrams for the Imagination
The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.
Jeff Wall: The World as It Appears
The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.
Time by Dance by Paik
Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.
Zeng Fanzhi on Cézanne, Morandi, and Sanyu
Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.
David Bailey: The Sixties
The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.
Helen Frankenthaler: Sea Change
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.