Friday, June 28, 2019, 6:30–7:30pm
Royal Academy of Arts, London
Thomas Houseago will speak with Edith Devaney, contemporary curator at the Royal Academy of Arts. The pair will discuss Houseago’s installation as part of the Royal Academy’s Summer Exhibition along with the artist’s wider career as a contemporary sculptor. To attend the event, purchase tickets at royal academy.org.uk.
Thomas Houseago's Annenberg Courtyard installation, Royal Academy of Arts, London, 2019. Artwork © Thomas Houseago. Photo: Lucy Dawkins
Thursday, January 31, 2019, 7pm
Getty Center, Los Angeles
Thomas Houseago’s vanguard approach to the human form combines traditional and unconventional materials to create imposing figures fraught with traces of their making that convey the power and vulnerability of the body. Writer-director James Gray joins Houseago to discuss the creation of his male figures and characters in particular. To attend the free event, reserve tickets at www.getty.edu.
Thomas Houseago, Hermaphrodite, 2011 © Thomas Houseago. Photo: Fredrik Nilsen
Thomas Houseago will be honored at the De Ateliers Gala in Amsterdam on March 8, 2018. Founded in 1963 in Haarlem by artists, De Ateliers is an international institute that helps young artists to develop their talent through a two-year program. Houseago was a participant from 1994 to 1996.
Photo: Muna El Fituri © Thomas Houseago
Six additional acres have been added to the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art. The expansion features twenty-six new works including Frank Gehry’s Bear With Us (2014) and Thomas Houseago’s Striding Figure (Rome I) (2013).
Left: Frank Gehry, Bear With Us, 2014 © Frank Gehry. Right: Thomas Houseago, Striding Figure (Rome I), 2013 © Thomas Houseago. Photos: Roman Alokhin
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.