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Art Night 2019
Michael Craig-Martin: Sculpture

Saturday, June 22, 2019, 6–11pm
Gagosian, Britannia Street, London
2019.artnight.london

Michael Craig-Martin’s new exhibition Sculpture at Gagosian, Britannia Street, London, will be open after hours for Art Night 2019, London’s largest free contemporary art festival. The evening will feature music from Spiritland and drinks from the King’s Cross brewery, Two Tribes. Each year the festival focuses on a different area of London to explore the distinctive identity, culture, and architecture of the neighborhood through various forms of art. 

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 3, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Installation view, Michael Craig-Martin: Sculpture, Gagosian, Britannia Street, London, May 31–August 3, 2019. Artwork © Michael Craig-Martin. Photo: Mike Bruce

Related News

Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin

In Conversation

Michael Craig-Martin
Emilie Gordenker

Saturday, October 5, 2019, 12pm
Regent’s Park, London
frieze.com

In conjunction with the retrospective display of his drawings at Frieze Masters, Michael Craig-Martin will be in conversation with Dr. Emilie Gordenker, director of the Mauritshuis at the Hague, Netherlands. The pair will discuss Craig-Martin’s work, with particular emphasis on the long-standing centrality of drawing in his practice, as well as the artist’s experience of the changing character of art and the art world over the past fifty years. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.

Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin

Michael Craig-Martin. Photo: Caroline True

Talk

Bauhaus and Beyond?
On Art School Models, Old and New

Friday, October 4, 2019, 2pm
Regent’s Park, London
frieze.com

As part of the Frieze Masters Talks program, Michael Craig-Martin, alongside Kimathi Donkor, Donna Lynas, and Ute Meta Bauer, will discuss how the Bauhaus remains relevant to art education today. The conversation will be moderated by Sam Thorne. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.

Michael Craig-Martin. Photo: Caroline True

Richard Wright, Untitled, 2002 © Richard Wright

Auction

The Art of Wishes 2019

Tuesday, October 1, 2019
Royal Horticultural Halls, London
make-a-wish.org.uk

Founded by philanthropist and Make‐A‐Wish UK patron Batia Ofer, the third annual Art of Wishes will feature a benefit auction to raise money for Make-A-Wish UK, a nonprofit organization that grants the wishes of children with critical illnesses. In advance of the charity event, a preview of the artworks will be open to the public from September 19 to 20 at Phillips London in Berkeley Square. More than twenty artworks by leading international artists such as Virgil Abloh, Michael Craig‐Martin, Takashi Murakami, Richard Wright, and others will be included.

Richard Wright, Untitled, 2002 © Richard Wright

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Video still of Sarah Sze speaking at a TED conference, Vancouver, BC, April 2019.

Sarah Sze: Art That Explores Time and Memory

Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.