Thursday, June 27, 2019, 6:30pm
Gagosian, West 21st Street, New York
Artist James Welling and film director and writer Jane Weinstock will lead an exhibition tour of Jeff Wall, currently on view at Gagosian, West 21st Street, New York. Welling and Weinstock will offer their unique perspectives on various photographs, with time for questions at the end. The pair recently wrote an essay for the exhibition catalogue accompanying Jeff Wall’s show currently on view at the George Economou Collection, Athens. The event has reached capacity. To join the wait list, contact email@example.com.
Jeff Wall, Summer Afternoons, 2013 © Jeff Wall
November 18–24, 2020
From his pioneering use of backlit color transparencies in the 1970s to his intricately staged scenes of enigmatic incidents from daily life, literature, and film, Jeff Wall has expanded the definition of the photograph, both as object and as illusion. His pictures range from classical reportage and the direct contemplation of natural forms to elaborate constructions and montages, usually produced at a large scale traditionally identified with painting.
Photo: Andrew Querner
Jeff Wall is available for online reading from November 18 through November 24, 2020, as part of Artist Spotlight: Jeff Wall. From his pioneering use in the 1970s of backlit color transparencies to his intricately constructed scenes of enigmatic incidents from daily life, literature, and film, Jeff Wall has expanded the definition of the photograph, both as object and illusion. Published on the occasion of his 2019 exhibition at Gagosian, West 21st Street, New York, the catalogue includes an illuminating new essay by Russell Ferguson, along with full-page reproductions of the nine works in the exhibition, all of which were made over the last ten years, and several of which have never previously been exhibited or published. The two cover options illustrate alternate panels from a diptych, Pair of interiors (2018).
Jeff Wall (New York: Gagosian, 2019)
An Impossible Photograph
Art21 interviews Jeff Wall in his studio about notions of artifice and truth in photography. He describes what drew him to the subject of his 2014 photograph Changing room, discussing the impossibility of the viewpoint depicted.
Still from “Jeff Wall: An Impossible Photograph” © Art21, Inc. Artwork © Jeff Wall
Sally Mann: Vinculum
Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.
Gagosian Quarterly Winter 2021
The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.
Behind the Art
Jonas Wood in Hong Kong
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
Jasper Johns: Mind/Mirror
Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.
Picture Books: Ottessa Moshfegh and Issy Wood
Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.
Jenny Saville: A cyclical rhythm of emergent forms
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Leaders in the Arts: Publishing Edition
Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.
Social Works II: Tyler Mitchell | A New Landscape
Tyler Mitchell speaks with Antwaun Sargent about Black representation, the diversity of Southern landscapes, and the importance of play in his new series of photographs. The conversation forms part of “Social Works II,” a supplement guest edited by Sargent for the Winter 2021 issue of the Quarterly.
The Thinking Hand
Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.
Say Goodbye, Catullus, to the Shores of Asia Minor
Thierry Greub tracks the literary references in Cy Twombly’s epic painting of 1994.
The Art of Biography: Sir John Richardson’s “The Minotaur Years”
Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.
Fashion and Art: Lucie and Luke Meier
The creative directors for Jil Sander tell the Quarterly’s Wyatt Allgeier about their inspirations, the recent campaign they created in collaboration with celebrated fine-art photographer Joel Meyerowitz, and their developing engagement with pop-up retail spaces.