Menu

News / Events

Tour

Jeff Wall

Thursday, June 27, 2019, 6:30pm
Gagosian, West 21st Street, New York

Artist James Welling and film director and writer Jane Weinstock will lead an exhibition tour of Jeff Wall, currently on view at Gagosian, West 21st Street, New York. Welling and Weinstock will offer their unique perspectives on various photographs, with time for questions at the end. The pair recently wrote an essay for the exhibition catalogue accompanying Jeff Wall’s show currently on view at the George Economou Collection, Athens. The event has reached capacity. To join the wait list, contact nytours@gagosian.com

Jeff Wall, Summer Afternoons, 2013 © Jeff Wall 

Jeff Wall, Summer Afternoons, 2013 © Jeff Wall 

Related News

Jeff Wall (New York: Gagosian, 2019)

Online Reading

Jeff Wall

Jeff Wall is available for online reading from August 16 through September 14 as part of the From the Library series. From his pioneering use in the 1970s of backlit color transparencies to his intricately constructed scenes of enigmatic incidents from daily life, literature, and film, Jeff Wall has expanded the definition of the photograph, both as object and illusion. Published on the occasion of his 2019 exhibition at Gagosian, West 21st Street, New York, the catalogue includes an illuminating new essay by Russell Ferguson, along with full-page reproductions of the nine works in the exhibition, all of which were made over the last ten years, and several of which have never previously been exhibited or published. The two cover options illustrate alternate panels from a diptych, Pair of interiors (2018).

Jeff Wall (New York: Gagosian, 2019)

Jeff Wall, Changing Room, 2014 © Jeff Wall

In Conversation

Jeff Wall
Jean-François Chevrier

Friday, October 5, 2018, 5pm
Musée d’Art Moderne Grand Duc-Jean, Luxembourg
www.mudam.lu

Jeff Wall will speak with art historian Jean-François Chevrier about his practice and work on the opening night of Jeff Wall: Appearance at MUDAM. To attend the free event, RSVP to visites@mudam.lu.

Jeff Wall, Changing Room, 2014 © Jeff Wall

Jeff Wall, Pawnshop, 2009 © Jeff Wall

Talk

In Focus
Duane Hanson, Taryn Simon, Jeff Wall

Thursday, August 20, 2020, 5pm EDT

Join Gagosian for a trio of online presentations to learn about the ways Duane Hanson, Taryn Simon, and Jeff Wall approach photography as a generative practice and notions of truth and reality. Andy Avini will explain how Hanson’s figures take on new meaning in a photographic context, Louise Neri will speak about the intersection of photography in Simon’s multidisciplinary practice, and Graham Dalik will discuss how Wall changes photography’s relationship to truth through influence from other art forms. To join, register at zoom.us.

Jeff Wall, Pawnshop, 2009 © Jeff Wall

Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

The cover of Emma Cline’s book "Daddy"

Northeast Regional

A short story by Emma Cline, published here on the occasion of her forthcoming collection of stories entitled Daddy.

Henri Matisse, The Music Lesson, 1917, oil on canvas, domestic interior scene of people in the livingroom at the piano, reading chair, and window

Lockdown: Henri Matisse’s Domestic Interiors

John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.

Isabelle Waldberg, with Construction (1943), in her studio, New York, 1943.

Isabelle Waldberg

Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.

Photo: Moneta Sleet, Jr., 1965. Johnson Publishing Company Archive. Courtesy Ford Foundation, J. Paul Getty Trust, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, and Smithsonian Institution.

Theaster Gates: Black Image Corporation

As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space. 

Bebe Miller and Cynthia Oliver in motion dancing, mid-jump, against a white background

Bebe Miller and Cynthia Oliver

The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.

Helen Frankenthaler, Cool Summer, 1962, oil on canvas, 69 ¾ × 120 inches (177.2 × 304.8 cm), Collection Helen Frankenthaler Foundation.

Building a Legacy
The Helen Frankenthaler Foundation on COVID-19 Relief Funding

The Quarterly’s Alison McDonald speaks with Clifford Ross, Frederick J. Iseman, and Dr. Lise Motherwell, members of the board of directors of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director, about the foundation’s decision to establish a multiyear initiative dedicated to providing $5 million in covid-19 relief for artists and arts professionals.

Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?

Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?

In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.

A portrait of LL Cool J, Brooklyn, New York, 1991, but Anton Corbijn

Anton Corbijn

Natasha Prince interviews the Dutch photographer and filmmaker about his relationships with musicians and gets the backstory on some of his most legendary images. Ivan Shaw puts Corbijn’s practice and aesthetic innovations into context. 

Andrea Domenico Remps, Cabinet of Curiosities, c. 1690, oil on canvas, 39 × 54 inches (99 × 137 cm), Opificio delle Pietre Dure, Florence, Italy.

For Sale: Baby Shoes. Never Worn.

Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.