Alex Israel, Bettina Korek, Hans Ulrich Obrist
July 29–August 2, 2019, 10am–3pm
Anderson Ranch Arts Center, Snowmass Village, Colorado
Alex Israel, Bettina Korek, and Hans Ulrich Obrist will host a five-day seminar for practicing artists at Anderson Ranch. Through lectures, discussions, readings, and critiques, the trio will guide artists deeper into the concepts behind their work and their agency in the art world.
Bettina Korek, Hans Ulrich Obrist, and Alex Israel
Always On My Mind
Wednesday, February 26, 2020, 6:15pm
Gagosian, Grosvenor Hill, London
Join Gagosian for a tour of Alex Israel: Always On My Mind, an exhibition of new Self-Portraits by the artist, led by Gagosian director Millicent Wilner. In this ongoing series of photorealistic paintings, Israel frames quintessential Los Angeles scenery and snippets from his daily life inside crisp cut-out silhouettes of his own profile. The artist addresses the effortless visual gloss that twenty-first-century image culture and social media demand of their participants. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, Alex Israel: Always On My Mind, Gagosian, Grosvenor Hill, London, January 16–March 14, 2020. Artwork © Alex Israel. Photo: Lucy Dawkins
Online Viewing Room
Frieze Los Angeles 2020
February 10–19, 2020
Gagosian will launch its latest Online Viewing Room on the occasion of Frieze Los Angeles, with available works by Chris Burden, Alex Israel & Bret Easton Ellis, Neil Jenney, Albert Oehlen, Chris Ofili, David Reed, Ed Ruscha, Bill Whiskey Tjapaltjarri, Tatiana Trouvé, and Jonas Wood. Many of the artworks included in this virtual presentation consider the political, geographical, and social landscapes of Los Angeles.
The Frieze Los Angeles 2020 Online Viewing Room will open at 12:00am on Monday, February 10, in Hong Kong, and close at 11:59pm on Wednesday, February 19, in Los Angeles and San Francisco.
For more information about the Online Viewing Room or the work to be featured, please contact email@example.com.
Chris Burden, L.A.P.D. Uniform, 1993 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
Frieze Los Angeles 2020
How to Shrink L.A.
February 14–16, 2020, booth C06
Paramount Picture Studios, Los Angeles
Gagosian is pleased to participate in Frieze Los Angeles 2020. Taking Los Angeles’s system of highways as a literal and figurative backdrop, the selection includes Richard Prince’s full-scale car sculpture Untitled (2008) and Chris Burden’s ominously oversize L.A.P.D. Uniform (1993). The booth also includes work by Jean-Michel Basquiat, John Chamberlain, Urs Fischer, Theaster Gates, Piero Golia, Alex Israel, Sally Mann, Adam McEwen, Cady Noland, Sterling Ruby, Ed Ruscha, Taryn Simon, Robert Therrien, Andy Warhol, Tom Wesselmann, and others.
Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
Gagosian Quarterly Spring 2020
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
John Mason: Geometric Force
An exhibition of ceramic sculptures by John Mason in early 2020 focused on the artist’s mature work. In this video tour, narrated by the exhibition’s curator, Rani Singh, Mason’s early career and aesthetic development receive a deeper look.
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
Picasso and Maya: An Interview with Diana Widmaier-Picasso
Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.
The Films of Man Ray: Mysterious Encounters of Realities and Dreams
Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Theaster Gates: Amalgam
Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.