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Seminar

Alex Israel, Bettina Korek, Hans Ulrich Obrist

July 29–August 2, 2019, 10am–3pm
Anderson Ranch Arts Center, Snowmass Village, Colorado
www.andersonranch.org

Alex Israel, Bettina Korek, and Hans Ulrich Obrist will host a five-day seminar for practicing artists at Anderson Ranch. Through lectures, discussions, readings, and critiques, the trio will guide artists deeper into the concepts behind their work and their agency in the art world.

Bettina Korek, Hans Ulrich Obrist, and Alex Israel

Bettina Korek, Hans Ulrich Obrist, and Alex Israel

Related News

Installation view, Alex Israel: Always On My Mind, Gagosian, Grosvenor Hill, London, January 16–March 14, 2020. Artwork © Alex Israel. Photo: Lucy Dawkins

Tour

Alex Israel
Always On My Mind

Wednesday, February 26, 2020, 6:15pm
Gagosian, Grosvenor Hill, London

Join Gagosian for a tour of Alex Israel: Always On My Mind, an exhibition of new Self-Portraits by the artist, led by Gagosian director Millicent Wilner. In this ongoing series of photorealistic paintings, Israel frames quintessential Los Angeles scenery and snippets from his daily life inside crisp cut-out silhouettes of his own profile. The artist addresses the effortless visual gloss that twenty-first-century image culture and social media demand of their participants. To attend the free event, RSVP to londontours@gagosian.com. Space is limited.

Installation view, Alex Israel: Always On My Mind, Gagosian, Grosvenor Hill, London, January 16–March 14, 2020. Artwork © Alex Israel. Photo: Lucy Dawkins

Chris Burden, L.A.P.D. Uniform, 1993 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Online Viewing Room

Frieze Los Angeles 2020

February 10–19, 2020
gagosianviewingroom.com

Gagosian will launch its latest Online Viewing Room on the occasion of Frieze Los Angeles, with available works by Chris BurdenAlex Israel & Bret Easton EllisNeil JenneyAlbert Oehlen, Chris Ofili, David ReedEd Ruscha, Bill Whiskey Tjapaltjarri, Tatiana Trouvé, and Jonas WoodMany of the artworks included in this virtual presentation consider the political, geographical, and social landscapes of Los Angeles.

The Frieze Los Angeles 2020 Online Viewing Room will open at 12:00am on Monday, February 10, in Hong Kong, and close at 11:59pm on Wednesday, February 19, in Los Angeles and San Francisco. 

For more information about the Online Viewing Room or the work to be featured, please contact inquire@gagosian.com.

Download the full press release (PDF)

Chris Burden, L.A.P.D. Uniform, 1993 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Art Fair

Frieze Los Angeles 2020
How to Shrink L.A.

February 14–16, 2020, booth C06
Paramount Picture Studios, Los Angeles
frieze.com

Gagosian is pleased to participate in Frieze Los Angeles 2020. Taking Los Angeles’s system of highways as a literal and figurative backdrop, the selection includes Richard Prince’s full-scale car sculpture Untitled (2008) and Chris Burden’s ominously oversize L.A.P.D. Uniform (1993). The booth also includes work by Jean-Michel Basquiat, John Chamberlain, Urs Fischer, Theaster Gates, Piero Golia, Alex Israel, Sally Mann, Adam McEwen, Cady Noland, Sterling Ruby, Ed Ruscha, Taryn Simon, Robert Therrien, Andy Warhol, Tom Wesselmann, and others.

To receive a PDF with detailed information on the works in the booth, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at frieze.com.

Download the full press release (PDF)

Chris Burden, How to Shrink L.A., 1999 © 2020 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

The exterior of Gagosian, Park & 75. An exhibition of John Mason sculptures.

John Mason: Geometric Force

An exhibition of ceramic sculptures by John Mason in early 2020 focused on the artist’s mature work. In this video tour, narrated by the exhibition’s curator, Rani Singh, Mason’s early career and aesthetic development receive a deeper look.

Rudolf Polanszky in front of his country studio outside Vienna, 2019.

Rudolf Polanszky

Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.

Diana Widmaier-Picasso standing in front of a bookcase

Picasso and Maya: An Interview with Diana Widmaier-Picasso

Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.

Vertical film strips from Man Ray's films.

The Films of Man Ray: Mysterious Encounters of Realities and Dreams

Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco. 

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

Still from the video Giuseppe Penone at Fort Mason showing the artist's 2004 sculpture Idee di pietra (Ideas of Stone) installed at Fort Mason in San Francisco.

Giuseppe Penone at Fort Mason

A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.

Theaster Gates, Paris, 2019.

Theaster Gates: Amalgam

Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.

Tatiana Trouvé, Between sky and earth, 2012–.

Tatiana Trouvé: In Time

In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

A photograph of the Casa Malaparte house in Capri, Italy.

Casa Malaparte: A House Like Ourselves

Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.

Installation view of Giuseppe Penone’s exhibition at Gagosian, San Francisco. A bronze sculpture and a wall-mounted sculpture including leaves.

Giuseppe Penone: Foglie di bronzo / Leaves of Bronze

Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.