Menu

News / Events

In Conversation

Jenny Saville
Justin Paton

Saturday, September 14, 2019, 2pm
Art Gallery of New South Wales, Sydney
www.artgallery.nsw.gov.au

Jenny Saville will discuss her artistic practice and influences with Justin Paton, the head curator of international art at the Art Gallery of New South Wales. The talk takes place on the occasion of the museum’s exhibition Here We Are, which features new acquisitions by women artists whose work addresses the intricacy, pathos, and power of human relationships. To attend the event, purchase tickets at ticketing.artgallery.nsw.gov.au.

Jenny Saville, Vis and Ramin II, 2018, Art Gallery of New South Wales, Sydney © Jenny Saville

Jenny Saville, Vis and Ramin II, 2018, Art Gallery of New South Wales, Sydney © Jenny Saville

Related News

Jenny Saville, Self-Portrait (after Rembrandt), 2019 © Jenny Saville

In Conversation

Jenny Saville
David Dawson

Wednesday, November 6, 2019, 6:30–7:45pm
Royal Academy of Arts, London
www.royalacademy.org.uk

On the occasion of the exhibition Lucian Freud: The Self-Portraits at London’s Royal Academy of Arts, Jenny Saville will speak with David Dawson, cocurator of the show. Saville will reflect on her relationship with self-portraiture and the effect it has had on her career, while Dawson will offer insight into Freud’s approach to the theme. The talk will be chaired by RA artistic director Tim Marlow. The event has reached capacity.

Jenny Saville, Self-Portrait (after Rembrandt), 2019 © Jenny Saville

Jenny Saville, Red Fates, 2018 © Jenny Saville

In Conversation

Jenny Saville
Claudia Schmuckli

Saturday, February 9, 2019, 10am
San Francisco Art Institute
www.sfai.edu

As part of the San Francisco Art Institute’s symposium Situational: The Body in Contemporary Painting, Jenny Saville will speak with the institute’s Claudia Schmuckli, curator in charge of contemporary art and programming. The pair will discuss what constitutes a contemporary body, how pressing issues are being translated rhetorically through the body, and the diverse artistic vantage points situated within figurative painting today. To attend the free event, register at www.sfai.edu.

Jenny Saville, Red Fates, 2018 © Jenny Saville

Jenny Saville, Red Stare Collage, 2007–09 © Jenny Saville

In Conversation

Jenny Saville
Jennifer Doyle

Tuesday, February 12, 2019, 7:30pm
The Broad, Los Angeles
www.thebroad.org

Jenny Saville and Jennifer Doyle, author and professor of English at the University of California, Riverside, will be in conversation as part of the Broad’s talk series The Un-Private Collection. The pair will discuss Saville’s work in the museum’s collection as well as contemporary art history, gender studies, and critical theory. To attend the event, purchase tickets at www.thebroad.org.

Jenny Saville, Red Stare Collage, 2007–09 © Jenny Saville

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Installation view of Giuseppe Penone’s exhibition at Gagosian, San Francisco. A bronze sculpture and a wall-mounted sculpture including leaves.

Giuseppe Penone: Foglie di bronzo / Leaves of Bronze

Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.

A painting with gold frame by Louis Michel Eilshemius. Landscape with single figure.

Eilshemius and Me: An Interview with Ed Ruscha

Ed Ruscha tells Viet-Nu Nguyen and Leta Grzan how he first encountered Louis Michel Eilshemius’s paintings, which of the artist’s aesthetic innovations captured his imagination, and how his own work relates to and differs from that “Neglected Marvel,” Eilshemius.