Saturday, September 14, 2019, 2pm
Art Gallery of New South Wales, Sydney
Jenny Saville will discuss her artistic practice and influences with Justin Paton, the head curator of international art at the Art Gallery of New South Wales. The talk takes place on the occasion of the museum’s exhibition Here We Are, which features new acquisitions by women artists whose work addresses the intricacy, pathos, and power of human relationships. To attend the event, purchase tickets at ticketing.artgallery.nsw.gov.au.
Jenny Saville, Vis and Ramin II, 2018, Art Gallery of New South Wales, Sydney © Jenny Saville
Wednesday, November 6, 2019, 6:30–7:45pm
Royal Academy of Arts, London
On the occasion of the exhibition Lucian Freud: The Self-Portraits at London’s Royal Academy of Arts, Jenny Saville will speak with David Dawson, cocurator of the show. Saville will reflect on her relationship with self-portraiture and the effect it has had on her career, while Dawson will offer insight into Freud’s approach to the theme. The talk will be chaired by RA artistic director Tim Marlow. The event has reached capacity.
Jenny Saville, Self-Portrait (after Rembrandt), 2019 © Jenny Saville
Saturday, February 9, 2019, 10am
San Francisco Art Institute
As part of the San Francisco Art Institute’s symposium Situational: The Body in Contemporary Painting, Jenny Saville will speak with the institute’s Claudia Schmuckli, curator in charge of contemporary art and programming. The pair will discuss what constitutes a contemporary body, how pressing issues are being translated rhetorically through the body, and the diverse artistic vantage points situated within figurative painting today. To attend the free event, register at www.sfai.edu.
Jenny Saville, Red Fates, 2018 © Jenny Saville
Tuesday, February 12, 2019, 7:30pm
The Broad, Los Angeles
Jenny Saville and Jennifer Doyle, author and professor of English at the University of California, Riverside, will be in conversation as part of the Broad’s talk series The Un-Private Collection. The pair will discuss Saville’s work in the museum’s collection as well as contemporary art history, gender studies, and critical theory. To attend the event, purchase tickets at www.thebroad.org.
Jenny Saville, Red Stare Collage, 2007–09 © Jenny Saville
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Rachel Feinstein at Chatsworth
A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
The Studio Museum in Harlem
Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.