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New Representation

Estate of Simon Hantaï

Gagosian is pleased to announce the representation of the Estate of Simon Hantaï. Born in Bia, Hungary, in 1922, Hantaï is best known for originating the technique of pliage (folding), in which a canvas is crumpled and knotted, uniformly painted over, and then spread out to reveal a matrix of abstract alternations between pigment and ground. Hantaï moved to Paris in 1948 and began creating pliage paintings in 1960, conceiving of the process as a marriage between Surrealist automatism and the allover gestures of Abstract Expressionism. The technique dominated the work he made during the rest of his career, re-emerging in diverse forms. To inaugurate Hantaï’s representation, LES NOIRS DU BLANC, LES BLANCS DU NOIR, an exhibition of black-and-white paintings and prints dating between 1969 and 1997, will be presented at Gagosian, Le Bourget.

Simon Hantaï in his studio, Meun, France, 1967. Artwork © Archives Simon Hantaï/ADAGP, Paris. Photo: Édouard Boubat

Simon Hantaï in his studio, Meun, France, 1967. Artwork © Archives Simon Hantaï/ADAGP, Paris. Photo: Édouard Boubat

Related News

Photo: Sten Rosenlund

Award

Ed Ruscha

Ed Ruscha will be presented with the 2019 J. Paul Getty Medal in honor of his work as a painter, draftsman, photographer, and bookmaker. The event will take place at the Getty Center in Los Angeles on September 16, 2019.

Photo: Sten Rosenlund

Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) being installed at Ruby City in San Antonio, Texas, 2019

Video

Nancy Rubins
Installation at Ruby City

Watch as Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) gets installed at Ruby City, a contemporary art center in San Antonio, Texas, opening October 13, 2019. Designed by Adjaye Associates in collaboration with Alamo Architects, Ruby City will provide a space for the city’s thriving creative community to experience works by both local and internationally acclaimed artists.

Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) being installed at Ruby City in San Antonio, Texas, 2019

Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Académie de France à Rome – Villa Médicis, 2008 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris

Public Installation

Giuseppe Penone at Fort Mason

October 24, 2019–October 25, 2020
Fort Mason, San Francisco
parksconservancy.org

Gagosian presents a yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason. Two sculptures by Penone—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—will be installed in Fort Mason’s Great Meadow, part of the Golden Gate National Recreation Area, overlooking San Francisco Bay and the Golden Gate Bridge. This project is presented in partnership with the Golden Gate National Parks Conservancy and the Golden Gate National Recreation Area through the Art in the Parks program.

Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Académie de France à Rome – Villa Médicis, 2008 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019.

Rachel Feinstein at Chatsworth

A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Thelma Golden and David Adjaye.

The Studio Museum in Harlem

Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.