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Domestic Horror

Thursday, September 26, 2019, 6pm
Gagosian, Park & 75, New York

Bill Powers will lead a tour of Domestic Horror, currently on view at Gagosian, Park & 75, New York. The exhibition, organized by Powers and featuring several young and emerging artists, addresses the darker fears that arise when we encounter the unknown, and probes the friction between the civilized world and baser human impulses. To attend the free event, RSVP to nytours@gagosian.com. Space is limited. 

Ewa Juszkiewicz, Portrait of a Lady (after Louis Léopold Boilly), 2019 © Ewa Juszkiewicz

Ewa Juszkiewicz, Portrait of a Lady (after Louis Léopold Boilly), 2019 © Ewa Juszkiewicz

Related News

Helen Frankenthaler, Deep Sun, 1983, Princeton University Art Museum, New Jersey © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Tyler Graphics Ltd., Bedford Village, New York

Symposium

A Vital Legacy

September 19–20, 2019
Princeton University Art Museum, New Jersey
artmuseum.princeton.edu

A series of conversations among artists and art historians on the impact of mid-twentieth-century abstraction will take place in conjunction with Helen Frankenthaler Prints: Seven Types of Ambiguity, currently on view at the Princeton University Art Museum. The talks will begin at 5:30pm on Thursday, September 19, and continue at 9am on Friday, September 20. The events are free and open to the public.

Helen Frankenthaler, Deep Sun, 1983, Princeton University Art Museum, New Jersey © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York/Tyler Graphics Ltd., Bedford Village, New York

John Currin, Untitled, 2015 © John Currin

Fundraiser

Drawing Center
Benefit Auction + Party 2019

Thursday, September 19, 2019, 6:30–9:30pm
Drawing Center, New York
drawingcenter.org

The Drawing Center’s annual Benefit Auction + Party takes place on Thursday, September 19, with an evening of music and cocktails, and a silent auction featuring works generously donated by over forty leading artists, including Joe Bradley, John Currin, Rudolf Stingel, and Mary Weatherford. Funds raised through this event provide crucial support for the Drawing Center’s ambitious roster of exhibitions, publications, education initiatives, and public programs. To attend the event, purchase tickets at www.drawingcenter.org.

John Currin, Untitled, 2015 © John Currin

John Currin, Hot Pants, 2010 © John Currin

Artist Talk

John Currin
Chatsworth Arts Festival

Saturday, September 21, 2019, 4:15–5:15pm
Chatsworth House, Derbyshire, England
www.chatsworth.org.uk

John Currin is participating in the Chatsworth Arts Festival, a weekend of culture and performance. He will discuss his practice, including his depictions of his own gender, which are the focus of a new solo exhibition currently on view at Dallas Contemporary. To attend the event, purchase tickets at chatsworth.seetickets.com.

John Currin, Hot Pants, 2010 © John Currin

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Sterling Ruby, ACTS/OSIRIS-REx, 2016 (detail).

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Michael Craig-Martin at his London studio, 2019

Behind the Art
Michael Craig-Martin: Ordinariness

Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019.

Rachel Feinstein at Chatsworth

A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Thelma Golden and David Adjaye.

The Studio Museum in Harlem

Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.