Frieze Sculpture 2019
July 3–October 6, 2019
Regent’s Park, London
Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected new and significant sculptures by leading artists around the world to be on view in Regent’s Park. Included in the show is Huma Bhabha’s Receiver (2019), which references ancient sculpture and recent sci-fi, and Tom Sachs’s My Melody (2008), a three-meter-high rendition of the Japanese cartoon character.
Huma Bhabha, Receiver, 2019 © Huma Bhabha
West Bund Art & Design 2020
November 12–15, 2020, booth A102
West Bund Art Center, Shanghai
Gagosian is pleased to participate in West Bund Art & Design 2020 with an extensive group presentation. Along with the gallery’s booth at ART021 Shanghai, on view between November 14 and 15, this will be Gagosian’s first in-person art fair since the covid-19 lockdown in March. The gallery’s participation was made possible by extraordinary support from the artists involved.
John Currin, Pistachio, 2016 © John Currin
Thursday, October 24, 2019, 3pm
Gagosian’s Manuela Cuccuru will lead a tour of the exhibition Huma Bhabha: The Company at Gagosian, Rome, on the occasion of Rome Art Week. This show features new expressive drawings on photographs as well as figurative sculptures carved from cork and Styrofoam, assembled from refuse and clay, or cast in bronze. Probing the tensions between time, memory, and displacement, Bhabha combines references to science fiction, archeological ruins, Roman antiquities, and postwar abstraction as she transforms the human figure into grimacing totems that are both unsettling and darkly humorous. To attend the free event, register at romeartweek.com.
Installation view, Huma Bhabha: The Company, Gagosian, Rome, September 19–December 14, 2019. Artwork © Huma Bhabha
Wednesday, September 18, 2019, 6pm
Galleria Nazionale d’Arte Moderna e Contemporanea, Rome
On the occasion of Huma Bhabha’s first exhibition in Rome, the Galleria Nazionale d’Arte Moderna e Contemporanea will host a conversation between the artist and Cristiana Perrella, director of the Centro per l’Arte Contemporanea Luigi Pecci in Prato, Italy. The show features expressive drawings on photographs as well as figurative sculptures carved from cork and Styrofoam, assembled from refuse and clay, or cast in bronze, through which Bhabha probes the tensions between time, memory, and displacement. References to science-fiction, archeological ruins, Roman antiquities, and postwar abstraction combine as she transforms the human figure into grimacing totems that are both unsettling and darkly humorous. The event is free and open to the public.
Huma Bhabha, Untitled, 2019 © Huma Bhabha
Jeff Wall and Gary Dufour
Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
Death Valley ’89: Jeff Wall vs. Photography
Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.
Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.
Fashion and Art: Gaia Repossi
The creative director of the Parisian jewelry house Repossi speaks with the Quarterly’s Wyatt Allgeier about her enduring love of Donald Judd, her use of photography and drawing in the design process, and the innovative collaborations, with visionaries like Rem Koolhaas and Flavin Judd, behind their retail spaces.
Leaders in the Arts: Italy Edition
We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.
Meleko Mokgosi: Democratic Intuition
Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.
The Art History of Presidential Campaign Posters
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Prouvé in Tijuana
Architect Teddy Cruz and political theorist Fonna Forman speak about a new social-housing project on the outskirts of Tijuana, and its connections to the modernist designer Jean Prouvé, with cultural historian Robert M. Rubin and critic Alastair Gordon.
Jia Aili: Before the Images Are Formed
Curator Shen Qilan speaks with the artist about his latest works.
Tom Eccles and Kiki Smith on Rachel Whiteread
On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.
Jay DeFeo’s Transcendent Objects
Alice Godwin explores the shifts in Jay DeFeo’s practice in the 1970s, considering the familiar objects that became recurrent subjects in her work during these years and their relationship to the human body.