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The Art of Wishes 2019

Tuesday, October 1, 2019
Royal Horticultural Halls, London

Founded by philanthropist and Make‐A‐Wish UK patron Batia Ofer, the third annual Art of Wishes will feature a benefit auction to raise money for Make-A-Wish UK, a nonprofit organization that grants the wishes of children with critical illnesses. In advance of the charity event, a preview of the artworks will be open to the public from September 19 to 20 at Phillips London in Berkeley Square. More than twenty artworks by leading international artists such as Virgil Abloh, Michael Craig‐Martin, Takashi Murakami, Richard Wright, and others will be included.

Richard Wright, Untitled, 2002 © Richard Wright

Richard Wright, Untitled, 2002 © Richard Wright

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Bill Nace and Kim Gordon, Silencio, Paris, 2012. Photo: courtesy Bill Nace


Kim Gordon and Bill Nace

Wednesday, February 15, 2023, 6:30pm
Gagosian, Beverly Hills

Join Gagosian for a live performance inside the exhibition Jim Shaw: Thinking the Unthinkable at Gagosian, Beverly Hills, by Kim Gordon and Bill Nace, performing as the electric guitar duo Body/Head. Gordon and Nace will create an improvisational composition in dialogue with the show, drawing on the exploration of the unexpected found in both their experimental music and Shaw’s dreamlike paintings. Attendees will receive a new zine featuring reproductions of drawings by Shaw, in advance of its official publication in the Spring 2023 issue of Gagosian Quarterly.


Bill Nace and Kim Gordon, Silencio, Paris, 2012. Photo: courtesy Bill Nace

Installation view, Walter De Maria: Boxes for Meaningless Work, Menil Collection, Houston, October 29, 2022–April 23, 2023. Artwork © The Estate of Walter De Maria. Photo: Paul Hester


Donna De Salvo on Walter De Maria

Thursday, February 2, 2023, 7–8pm
Menil Collection, Houston

Donna De Salvo, curator of special projects at Dia Art Foundation, will discuss the work and career of Walter De Maria in conjunction with the Menil’s exhibition Walter De Maria: Boxes for Meaningless Work, on view through April 23, 2023. Prior to the lecture, a reception will be held from 6 to 7pm in the Menil Bookstore, where copies of Gagosian’s recently published monograph Walter De Maria: The Object, the Action, the Aesthetic Feeling will be available for purchase. The event is free to attend.

Installation view, Walter De Maria: Boxes for Meaningless Work, Menil Collection, Houston, October 29, 2022–April 23, 2023. Artwork © The Estate of Walter De Maria. Photo: Paul Hester

Roe Ethridge: American Polychronic (New York: MACK, 2023)

Book Signing

Roe Ethridge
American Polychronic

Saturday, February 25, 2023, 4–5pm
Gagosian Shop, New York

To celebrate the publication of his new monograph, American Polychronic, Roe Ethridge will sign copies of the book in front of his exhibition of the same name at Gagosian, New York. The comprehensive volume documents Ethridge’s work from 1999 to 2022, focusing on two interlocking threads of his celebrated photographic practice. The photographs move fluidly between genres in pursuit of a distinctive visual language—blending and playfully juxtaposing the realms of fine art, fashion imagery, and advertising with the everyday, personal, and generic. The book includes a new essay by Jamieson Webster and a conversation between the artist and Antwaun Sargent. Published by MACK, it will be available for purchase at the event, which is free to attend.

Roe Ethridge: American Polychronic (New York: MACK, 2023)

Michael Govan and Anselm Kiefer

In Conversation
Anselm Kiefer and Michael Govan

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Installation view of the exhibition "Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews"

Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews

Join Jake Auerbach, Richard Calvocoressi, Bella Freud, Martin Gayford, and Florence Hallett as they discuss the work and legacy of four era-defining artists. Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, on view at Gagosian, Grosvenor Hill, London, elucidates the connections between their respective practices, and also features some of the artists’ portraits of each other.

Alexandria Smith's painting, Languorous undulations (in the temple of my familiar), 2022, mixed media on three-dimensional wood assemblage, depicting a purple figure with a cloud-shaped head and one eye standing on a road and dipping a toe into a river. There is a bricked-up doorway in the background.

Languorous undulations (in the temple of my familiar)

Alexandria Smith and Akwaeke Emezi take up themes of queerness, hybridity, and embodied memory in their respective visual and literary works. Here, Emezi responds to Smith’s painting Languorous undulations (in the temple of my familiar) (2022) with an eponymous piece of flash fiction.

Still from Juan Sánchez, Unknown Boricua Streaming: A Nuyorican State of Mind, 2011 (still), video, picturing a cartoon in a superhero pose against a backdrop of a Puerto Rican flag collage in muted colors

On Centering Latinx Video Art

In late 2022, Gagosian, in collaboration with Anthology Film Archives, presented a selection of videos by Latinx artists curated by Susan Breyer. Here, Quarterly film writer Carlos Valladares responds to each work in prose or with a poem. 

Sterling Ruby studio

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Image of Jenny Saville standing in front of her artworks

Jenny Saville: Latent

In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.

Glenn Brown in his studio

Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent

In conjunction with his exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent at Gagosian in New York, the artist sits down to discuss his new paintings, sculptures, and drawings.

Installation view, Jubiläumsausstellung—Special Guest Duane Hanson, Fondation Beyeler, Riehen/Basel, Switzerland, October 30, 2022–January 8, 2023. Artwork, front to back: © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York; Henri Rousseau. Photo: Lucia Hunziker/LL Productions

Duane Hanson at Fondation Beyeler

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Tony Ward and Madonna from Sex (1992)

Fashion and Art: Madonna’s Sex and Saint Laurent Rive Droite

This year’s edition of Art Basel Miami Beach brought Saint Laurent to America for a special exhibition curated by creative director Anthony Vaccarello celebrating the thirtieth anniversary of the publication of Madonna’s groundbreaking book, Sex (1992). Staged on the Miami beachfront, the ephemeral exhibition was presented on the occasion of the reissue of Sex by Rive Droite and Callaway, New York, and featured large-format prints of Steven Meisel’s iconic photographs from the book, as well as unpublished images from the original photo shoots. Rennie McDougall reflects on the momentous impact of the publication, tracing Madonna’s ongoing influence on and provocation of popular culture.

Spencer Sweeney and Peter Doig sitting on chairs in Sweeney’s studio

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