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The Art of Wishes 2019

Tuesday, October 1, 2019
Royal Horticultural Halls, London
make-a-wish.org.uk

Founded by philanthropist and Make‐A‐Wish UK patron Batia Ofer, the third annual Art of Wishes will feature a benefit auction to raise money for Make-A-Wish UK, a nonprofit organization that grants the wishes of children with critical illnesses. In advance of the charity event, a preview of the artworks will be open to the public from September 19 to 20 at Phillips London in Berkeley Square. More than twenty artworks by leading international artists such as Virgil Abloh, Michael Craig‐Martin, Takashi Murakami, Richard Wright, and others will be included.

Richard Wright, Untitled, 2002 © Richard Wright

Richard Wright, Untitled, 2002 © Richard Wright

Related News

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

Tour

Urs Fischer
Leo

Wednesday, December 11, 2019, 6:30pm
Gagosian, Paris

Journalist and curator Judith Benhamou-Huet will lead a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris. In Fischer’s work, the processes of material creation and destruction are often explored through the use of impermanent materials. Fischer’s candle sculptures, which he began to make in the early 2000s, exemplify this relationship. The artist’s newest candle portrait, Leo (George & Irmelin) (2019), depicts Leonardo DiCaprio with his parents, George DiCaprio and Irmelin Indenbirken. As with all of Fischer’s candle sculptures, Leo (George & Irmelin) will melt slowly over the course of the exhibition, its original composition transmuted into a form dictated by the wayward laws of physics. To attend the free event, RSVP to paristours@gagosian.com. Space is limited.

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

The Extreme Present

Exhibition

The Extreme Present

Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami

Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.

Download the full press release (PDF)

The Extreme Present

William Forsythe, Unsustainables, 2019 (detail), installation view, SESC Pompéia, São Paulo © William Forsythe. Photo: Ricardo Ferreira

Performance

William Forsythe
December Dance 19

December 5–8, 2019
Concertgebouw, Bruges, Belgium
www.concertgebouw.be

At the invitation of Needcompany, William Forsythe has created two new short works for December Dance 19, the international dance festival curated by the multidisciplinary dance company. To attend the event, purchase tickets at www.concertgebouw.be.

William Forsythe, Unsustainables, 2019 (detail), installation view, SESC Pompéia, São Paulo © William Forsythe. Photo: Ricardo Ferreira

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.