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William Forsythe
A Quiet Evening of Dance

October 11–25, 2019
The Shed, New York
theshed.org

For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at theshed.org.

Photo: courtesy the Shed

Photo: courtesy the Shed

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William Forsythe, Unsustainables, 2019 (detail), installation view, SESC Pompéia, São Paulo © William Forsythe. Photo: Ricardo Ferreira

Performance

William Forsythe
December Dance 19

December 5–8, 2019
Concertgebouw, Bruges, Belgium
www.concertgebouw.be

At the invitation of Needcompany, William Forsythe has created two new short works for December Dance 19, the international dance festival curated by the multidisciplinary dance company. To attend the event, purchase tickets at www.concertgebouw.be.

William Forsythe, Unsustainables, 2019 (detail), installation view, SESC Pompéia, São Paulo © William Forsythe. Photo: Ricardo Ferreira

William Forsythe, Alignigung II, 2017 (still) © William Forsythe

Performance

William Forsythe

November 29–December 1, 2019
PACT Zollverein, Essen, Germany
www.pact-zollverein.de

To mark a new piece of choreography by Rauf “RubberLegz” Yasit and Brigel Gjoka, William Forsythe is staging a film and installation program that celebrates his long-standing relationship with the duo, featuring the presentation of a new choreographic object (as Forsythe terms his works), called Heaven and Hell. The event is free and open to the public.

William Forsythe, Alignigung II, 2017 (still) © William Forsythe

Performance of William Forsythe: A Quiet Evening of Dance at Sadler’s Wells Theater, London, 2018. Photo: Johan Persson, courtesy Sadler’s Wells

Performance

William Forsythe
A Quiet Evening of Dance

October 30–31, 2019
Romaeuropa Festival, Rome
romaeuropa.net

For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at romaeuropa.net.

Performance of William Forsythe: A Quiet Evening of Dance at Sadler’s Wells Theater, London, 2018. Photo: Johan Persson, courtesy Sadler’s Wells

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