A Quiet Evening of Dance
October 11–25, 2019
The Shed, New York
For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at theshed.org.
Photo: courtesy the Shed
December Dance 19
December 5–8, 2019
Concertgebouw, Bruges, Belgium
At the invitation of Needcompany, William Forsythe has created two new short works for December Dance 19, the international dance festival curated by the multidisciplinary dance company. To attend the event, purchase tickets at www.concertgebouw.be.
William Forsythe, Unsustainables, 2019 (detail), installation view, SESC Pompéia, São Paulo © William Forsythe. Photo: Ricardo Ferreira
November 29–December 1, 2019
PACT Zollverein, Essen, Germany
To mark a new piece of choreography by Rauf “RubberLegz” Yasit and Brigel Gjoka, William Forsythe is staging a film and installation program that celebrates his long-standing relationship with the duo, featuring the presentation of a new choreographic object (as Forsythe terms his works), called Heaven and Hell. The event is free and open to the public.
William Forsythe, Alignigung II, 2017 (still) © William Forsythe
A Quiet Evening of Dance
October 30–31, 2019
Romaeuropa Festival, Rome
For this fresh configuration of new and existing work, William Forsythe has imagined something akin to an evening of chamber music, designed to be listened to. The intricate phrasing of the dancers’ breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. To attend the event, purchase tickets at romaeuropa.net.
Performance of William Forsythe: A Quiet Evening of Dance at Sadler’s Wells Theater, London, 2018. Photo: Johan Persson, courtesy Sadler’s Wells
Jeff Wall and Gary Dufour
Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
Death Valley ’89: Jeff Wall vs. Photography
Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.
Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.
Fashion and Art: Gaia Repossi
The creative director of the Parisian jewelry house Repossi speaks with the Quarterly’s Wyatt Allgeier about her enduring love of Donald Judd, her use of photography and drawing in the design process, and the innovative collaborations, with visionaries like Rem Koolhaas and Flavin Judd, behind their retail spaces.
Leaders in the Arts: Italy Edition
We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.
Meleko Mokgosi: Democratic Intuition
Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.
The Art History of Presidential Campaign Posters
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Prouvé in Tijuana
Architect Teddy Cruz and political theorist Fonna Forman speak about a new social-housing project on the outskirts of Tijuana, and its connections to the modernist designer Jean Prouvé, with cultural historian Robert M. Rubin and critic Alastair Gordon.
Jia Aili: Before the Images Are Formed
Curator Shen Qilan speaks with the artist about his latest works.
Tom Eccles and Kiki Smith on Rachel Whiteread
On the occasion of Artist Spotlight: Rachel Whiteread, curator Tom Eccles and artist Kiki Smith speak about the work of Rachel Whiteread through the lens of their personal friendships with her. They discuss her public projects from the early 1990s to the present, the relationship between drawing and sculpture in her practice, and the way her works reveal the memories embedded in familiar everyday objects.
Jay DeFeo’s Transcendent Objects
Alice Godwin explores the shifts in Jay DeFeo’s practice in the 1970s, considering the familiar objects that became recurrent subjects in her work during these years and their relationship to the human body.