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Huma Bhabha
The Company

Thursday, October 24, 2019, 3pm
Gagosian, Rome

Gagosian’s Manuela Cuccuru will lead a tour of the exhibition Huma Bhabha: The Company at Gagosian, Rome, on the occasion of Rome Art Week. This show features new expressive drawings on photographs as well as figurative sculptures carved from cork and Styrofoam, assembled from refuse and clay, or cast in bronze. Probing the tensions between time, memory, and displacement, Bhabha combines references to science fiction, archeological ruins, Roman antiquities, and postwar abstraction as she transforms the human figure into grimacing totems that are both unsettling and darkly humorous. To attend the free event, register at romeartweek.com.

Installation view, Huma Bhabha: The Company, Gagosian, Rome, September 19–December 14, 2019. Artwork © Huma Bhabha

Installation view, Huma Bhabha: The Company, Gagosian, Rome, September 19–December 14, 2019. Artwork © Huma Bhabha

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Huma Bhabha, Untitled, 2019 © Huma Bhabha

In Conversation

Huma Bhabha
Cristiana Perrella

Wednesday, September 18, 2019, 6pm
Galleria Nazionale d’Arte Moderna e Contemporanea, Rome
lagallerianazionale.com

On the occasion of Huma Bhabha’s first exhibition in Rome, the Galleria Nazionale d’Arte Moderna e Contemporanea will host a conversation between the artist and Cristiana Perrella, director of the Centro per l’Arte Contemporanea Luigi Pecci in Prato, Italy. The show features expressive drawings on photographs as well as figurative sculptures carved from cork and Styrofoam, assembled from refuse and clay, or cast in bronze, through which Bhabha probes the tensions between time, memory, and displacement. References to science-fiction, archeological ruins, Roman antiquities, and postwar abstraction combine as she transforms the human figure into grimacing totems that are both unsettling and darkly humorous. The event is free and open to the public.

Huma Bhabha, Untitled, 2019 © Huma Bhabha

Hao Liang, Spring and Fall, 2020 © Hao Liang

Art Fair

West Bund Art & Design 2020

November 12–15, 2020, booth A102
West Bund Art Center, Shanghai
westbundshanghai.com

Gagosian is pleased to participate in West Bund Art & Design 2020 with an extensive group presentation. Along with the gallery’s booth at ART021 Shanghai, on view between November 14 and 15, this will be Gagosian’s first in-person art fair since the covid-19 lockdown in March. The gallery’s participation was made possible by extraordinary support from the artists involved.

Hao Liang, Spring and Fall, 2020 © Hao Liang

Huma Bhabha, Receiver, 2019 © Huma Bhabha

Public Installation

Frieze Sculpture 2019

July 3–October 6, 2019
Regent’s Park, London
www.frieze.com

Clare Lilley, director of programs at Yorkshire Sculpture Park, has selected new and significant sculptures by leading artists around the world to be on view in Regent’s Park. Included in the show is Huma Bhabha’s Receiver (2019), which references ancient sculpture and recent sci-fi, and Tom Sachs’s My Melody (2008), a three-meter-high rendition of the Japanese cartoon character.

Huma Bhabha, Receiver, 2019 © Huma Bhabha

Roe Ethridge's Two Kittens with Yarn Ball (2017–22) on the cover of Gagosian Quarterly, Spring 2023

Now available
Gagosian Quarterly Spring 2023

The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.

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In an excerpt from his forthcoming monograph, Richard Wright pens a personal and philosophical text about painting.

Hao Liang, Spring and Emaciated Horse, 2022 (detail), ink and color on silk

Hao Liang: Emaciation Now: Paintings of My Contemporaries

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Adam McEwen, Untitled (Grace), 2023, chromogenic print, dry mounted on Dibond, 60 × 40 inches (152.4 × 101.6 cm). Photo: Prudence Cuming Associates Ltd

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Ashley Bickerton

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Ashley Bickerton

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Red, White, Yellow, and Black: 1972–73

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Karl Lagefeld in front of a blue background. Photo: Roe Ethridge

The Art of Biography: Paradise Now: The Extraordinary Life of Karl Lagerfeld

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Harold Ancart, Untitled, 2021, oil stick and pencil on canvas, in artist’s frame depicting red mountain, blue sky, and sand landscape with a red-outlined moon.

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Cy Gavin, Untitled (Paths in a meadow), 2022, acrylic and vinyl on canvas, 42 × 75 inches (106.7 × 190.5 cm)

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Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

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Michael Govan and Anselm Kiefer

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Anselm Kiefer and Michael Govan

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Fashion and Art: Pierpaolo Piccioli

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