Menu

News / Events

In Conversation

John Currin
Brett Littman

Tuesday, December 10, 2019, 6:30–7:30pm
New York Studio School
nyss.org

John Currin will be in conversation with Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in New York. The pair will discuss Currin’s practice as well as his exhibition, Life as a Man, on view at Dallas Contemporary through December 22. The event is free and open to the public.

John Currin, Untitled, 1995 © John Currin

John Currin, Untitled, 1995 © John Currin

Related News

John Currin, Shelley, 2019 © John Currin. Photo: Rob McKeever

Tour

John Currin

Wednesday, February 19, 2020, 6pm
Gagosian, Hong Kong

Join Gagosian for a tour of John Currin’s first solo exhibition in Asia, currently on view at Gagosian, Hong Kong. The exhibition presents a new series of portraits by Currin featuring his most beloved subject: women. Gagosian director Nick Simunovic will examine the genre of female portraiture in Currin’s oeuvre and explore how the artist channels his prodigious painterly skills into idealized yet perverse images that both charm and challenge. To attend the free event, RSVP to hktours@gagosian.com. Space is limited.

John Currin, Shelley, 2019 © John Currin. Photo: Rob McKeever

John Currin: Men (New York: Gagosian, 2019)

Talk and Book Signing

John Currin, Naomi Fry, Alison Gingeras, and Jamieson Webster

Tuesday, November 12, 2019, 6–8pm
National Arts Club, New York
www.nationalartsclub.org

Join us to celebrate John Currin: My Life as a Man, currently on view at Dallas Contemporary, and the accompanying catalogue, Men, published by Gagosian. To mark the occasion, Currin will speak with the book’s contributors—cultural critic Naomi Fry, exhibition curator Alison Gingeras, and psychoanalyst Jamieson Webster—and will sign copies following the talk. Both the exhibition and catalogue include several paintings, works on paper, and drawings that have never previously been exhibited or published, offering a unique opportunity to view Currin’s career through a new lens. The event has reached capacity. To join the wait list, contact nytalks@gagosian.com

John Currin: Men (New York: Gagosian, 2019)

John Currin, Hot Pants, 2010 © John Currin

Artist Talk

John Currin
Chatsworth Arts Festival

Saturday, September 21, 2019, 4:15–5:15pm
Chatsworth House, Derbyshire, England
www.chatsworth.org.uk

John Currin is participating in the Chatsworth Arts Festival, a weekend of culture and performance. He will discuss his practice, including his depictions of his own gender, which are the focus of a new solo exhibition currently on view at Dallas Contemporary. To attend the event, purchase tickets at chatsworth.seetickets.com.

John Currin, Hot Pants, 2010 © John Currin

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Still from the video Giuseppe Penone at Fort Mason showing the artist's 2004 sculpture Idee di pietra (Ideas of Stone) installed at Fort Mason in San Francisco.

Giuseppe Penone at Fort Mason

A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.

Tatiana Trouvé, Between sky and earth, 2012–.

Tatiana Trouvé: In Time

In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Theaster Gates, Paris, 2019.

Theaster Gates: Amalgam

Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.

A photograph of the Casa Malaparte house in Capri, Italy.

Casa Malaparte: A House Like Ourselves

Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.

Installation view of Giuseppe Penone’s exhibition at Gagosian, San Francisco. A bronze sculpture and a wall-mounted sculpture including leaves.

Giuseppe Penone: Foglie di bronzo / Leaves of Bronze

Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.