Menu

News / Events

Book Signing

Jonas Wood

Thursday, December 12, 2019, 6–8pm
Geffen Contemporary at MOCA, Los Angeles
www.moca.org

Jonas Wood will be signing copies of his new self-titled monograph, published by Phaidon. This monograph—the first on the artist’s work—brings together his most significant paintings and drawings and reveals the vast array of his sources. The book includes contributions by curators Helen Molesworth and Ian Alteveer, as well as a conversation between Wood and Mark Grotjahn. The event is free and open to the public.

Jonas Wood (New York: Phaidon, 2019)

Jonas Wood (New York: Phaidon, 2019)

Related News

Shio Kusaka and Jonas Wood. Photo: Ruud Baan

In Conversation

Shio Kusaka, Jonas Wood, Helen Molesworth

Saturday, July 6, 2019, 4:30–7pm
Private residence, Aspen, Colorado
www.andersonranch.org

Shio Kusaka and Jonas Wood draw from each other’s work as potter and painter, respectively to probe the tensions between representation and expression, precision and chance, and influences from art history and life. The pair will discuss the symbiosis and distinctive nature of their practices with curator Helen Molesworth. The event is open to Anderson Ranch National Council members only.

Shio Kusaka and Jonas Wood. Photo: Ruud Baan

Jonas Wood, Young Architect, 2019 © Jonas Wood

Book Signing

Jonas Wood

Friday, April 26, 2019, 6–7pm
Gagosian, West 24th Street, New York

Join Jonas Wood for a signing of his latest book, published on the occasion of his exhibition at Gagosian, West 24th Street, New York. The softcover catalogue features full-color reproductions of thirty new paintings and works on paper that range from his familiar and beloved pots to his most recent series of architectural interiors and exteriors.

Jonas Wood, Young Architect, 2019 © Jonas Wood

Clippings (New York: Gagosian; New York: Karma, 2015)

Book Signing

Jonas Wood
Clippings

Monday, November 6, 2017, 6–8pm
Karma, New York
www.karmakarma.org

Jonas Wood will sign copies of his new book, Clippings, recently published by Karma. This new volume brings together paintings of “clippings” of plants and is a follow-up to Pots, which was co-published by Gagosian and Karma in 2015.

Clippings (New York: Gagosian; New York: Karma, 2015)

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.