Menu

News / Events

Screening

Sterling Ruby
Dihedral

November 27–30, 2019
Gagosian, Britannia Street, London

Join Gagosian for a special screening of Sterling Ruby’s Dihedral (2006) on the occasion of the exhibition ACTS + TABLE, on view through December 14In the short video, a voice-over intones a modified quote from sociologist Roger Caillois’s surrealist etymological text, “Mimicry and Legendary Psychasthenia,” as waves of color encounter a clear liquid. Dihedral illustrates the process that is captured in Ruby’s ACTS series, in which liquid dye is fixed inside clear urethane blocks. The film will be screened during gallery opening hours, from 10am to 6pm. The event is free and open to the public.

Sterling Ruby, Dihedral, 2006 (still) © Sterling Ruby

Sterling Ruby, Dihedral, 2006 (still) © Sterling Ruby

Related News

Installation view, Sterling Ruby: SPECTERS TOKYO, Sogetsu Kaikan, Tokyo, November 23–December 23, 2023. Artwork © Sterling Ruby. Photo: Kenji Takahashi, courtesy Taka Ishii Gallery, Tokyo

Public Installation

Sterling Ruby
SPECTERS TOKYO

November 23–December 23, 2023
Sogetsu Kaikan, Tokyo
www.sogetsu.or.jp

In SPECTERS TOKYO, Sterling Ruby’s first public installation in Japan, the artist creates a dialogue with Isamu Noguchi’s indoor stone garden Heaven (1977–78), which is permanently installed in the lobby of the Sogetsu Foundation headquarters. Exploring the interactions between the living and the dead, Ruby’s site-specific work draws influence from kaidan, a genre of Japanese ghost stories. The otherworldly scene includes spectral figures made from heavily worn, tattered textiles and found objects that are suspended from the ceiling like puppets.

Installation view, Sterling Ruby: SPECTERS TOKYO, Sogetsu Kaikan, Tokyo, November 23–December 23, 2023. Artwork © Sterling Ruby. Photo: Kenji Takahashi, courtesy Taka Ishii Gallery, Tokyo

Photo: Melanie Schiff

In Conversation

Sterling Ruby
Tim Blanks

Tuesday, March 2, 2021, 12pm est

Sterling Ruby will speak with Tim Blanks, editor of the Business of Fashion, about his artistic process and foray into haute couture, as well as how he has stayed creative during the pandemic. The haute couture collection was created in Ruby’s Los Angeles studio, expanding the idea of the artist’s studio as atelier. Garment construction—from pattern-drafting and 3-D draping to dyeing, washing, and rinsing—occurs under the same roof as metalworking, oil painting, and ceramic firing. To join the online event, register at businessoffashion.zoom.us.

Photo: Melanie Schiff

Sterling Ruby. Photo: Melanie Schiff

Artist Talk

Sterling Ruby
(At Home) On Art and the American Psyche

Wednesday, December 2, 2020, 7–8pm est

Sterling Ruby will speak with former Hirshhorn Museum and Sculpture Garden chief curator Stéphane Aquin about his multifaceted art practice and his monumental sculpture DOUBLE CANDLE (2018), recently acquired by the museum and installed in their Sculpture Garden in Washington, DC. In addition to demonstrating Ruby’s belief in an embedded unification of both formal and political concerns, DOUBLE CANDLE brings together his interest in textiles and “soft sculpture”—the 23-foot-tall bronze sculpture is based on a “soft” version of the work that was recently on view in an exhibition surveying Ruby’s work at the Institute of Contemporary Art in Miami and the Institute of Contemporary Art, Boston. This virtual event is part of Talking to Our Time, the Hirshhorn’s online series of free talks featuring a diverse group of artists and collectives. To join, register at smithsonian.zoom.us.

Sterling Ruby. Photo: Melanie Schiff

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

an open road in the desert with a single car driving on it

Not Running, Just Going

Robert M. Rubin’s Vanishing Point Foreve(RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.

Black and white close up image of a person lying down, their face surrounded by a fog of film grain

On Frederick Wiseman

Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.

film still of Harry Smith's "Film No. 16 (Oz: The Tin Woodman’s Dream)"

You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye

Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.

A person lays in bed, their hand holding their face up as they look at something outside of the frame

Whit Stillman

In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.

Black and white portrait of Lisa Lyon

Lisa Lyon

Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.

self portrait by Jamian Juliano-Villani

Jamian Juliano-Villani and Jordan Wolfson

Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.