Menu

News / Events

Tour

Urs Fischer
Leo

Wednesday, December 11, 2019, 6:30pm
Gagosian, Paris

Journalist and curator Judith Benhamou-Huet will lead a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris. In Fischer’s work, the processes of material creation and destruction are often explored through the use of impermanent materials. Fischer’s candle sculptures, which he began to make in the early 2000s, exemplify this relationship. The artist’s newest candle portrait, Leo (George & Irmelin) (2019), depicts Leonardo DiCaprio with his parents, George DiCaprio and Irmelin Indenbirken. As with all of Fischer’s candle sculptures, Leo (George & Irmelin) will melt slowly over the course of the exhibition, its original composition transmuted into a form dictated by the wayward laws of physics. To attend the free event, RSVP to paristours@gagosian.com. Space is limited.

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

Related News

Urs Fischer: Sculptures 2013–2018 (New York: Kiito-San, LLC, 2019)

Book Launch

Urs Fischer

November 11–December 14, 2019
Gagosian, Geneva

Gagosian is pleased to celebrate the release of Urs Fischer: Sculptures 2013–2018, published by Kiito-San, with a special presentation of the book featuring a selection of recent sculptures, works from the Bandaids series, and other important publications made by the artist.

Featuring more than one hundred works as well as documentation of forty exhibitions and installations both public and private, Sculptures 2013–2018 presents six years of Fischer’s material explorations in a substantial volume. Arranged chronologically, the book allows the reader to follow his developments in form and his frequent adventure into whimsy. Fischer’s instinct for design is evident not only in individual works but also in his clarity of vision for a space. Encountering the immense and the minuscule, the ever-changing and the static, the viewer must reconcile with his or her own presence in time.

Urs Fischer: Sculptures 2013–2018 (New York: Kiito-San, LLC, 2019)

Urs Fischer: Paintings 1998–2017 (New York: Kiito-San, LLC, 2019)

Shop Takeover and Book Signing

Urs Fischer

November 7–30, 2019
Book signing: Thursday, November 7, 6–7pm
Gagosian Shop, New York

Urs Fischer will take over the Gagosian Shop in New York, creating an immersive environment to celebrate the publication of Urs Fischer: Paintings 1998–2017. This three-volume monograph includes every painting produced by the artist from the beginning  of his career through 2017. 

Fischer will be signing copies of the new book on Thursday, November 7, from 6 to 7pm, in the shop. To attend the free event, RSVP to fischerrsvp@gagosian.com.

Download the full press release (PDF)

Urs Fischer: Paintings 1998–2017 (New York: Kiito-San, LLC, 2019)

Urs Fischer

Video

Urs Fischer
YES

As part of the retrospective URS FISCHER at the Museum of Contemporary Art, Los Angeles, the artist staged the interactive artwork YES (2013) at the Geffen Contemporary at MoCA from April 21 to August 19, 2013. To create this large-scale installation, Fischer invited 1,500 California residents into the gallery space to make clay sculptures which then proceeded to harden and crumble over the duration of the show.

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Still from the video Giuseppe Penone at Fort Mason showing the artist's 2004 sculpture Idee di pietra (Ideas of Stone) installed at Fort Mason in San Francisco.

Giuseppe Penone at Fort Mason

A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.

Tatiana Trouvé, Between sky and earth, 2012–.

Tatiana Trouvé: In Time

In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Theaster Gates, Paris, 2019.

Theaster Gates: Amalgam

Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.

A photograph of the Casa Malaparte house in Capri, Italy.

Casa Malaparte: A House Like Ourselves

Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.

Installation view of Giuseppe Penone’s exhibition at Gagosian, San Francisco. A bronze sculpture and a wall-mounted sculpture including leaves.

Giuseppe Penone: Foglie di bronzo / Leaves of Bronze

Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.